Sentimental Value - Family Connections and Misunderstandings
Gustav Borg:
You two are the best thing that's ever happened to me.
Nora Borg:
The best that's ever happened to you? Then why weren't you there?
Gustav Borg: [chuckles]
Everyone's mad at dad, huh? You two turned out fine, didn't you?
Nora Borg:
How can you tell? You don't even know us.
Agnes Borg Pettersen:
Stop exaggerating.
Nora Borg:
Exaggerating?
Agnes Borg Pettersen:
Yeah.
Gustav Borg:
I know it's been hard for you. I recognize myself in you. But you're so goddamn angry. It's hard to love someone who's so full of rage. Right? You don't want to be alone forever.
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Sentimental Value - Encouragement Amidst Doubt in Acting Career
Gustav Borg: [about Rachel backing out of his film]
Please, don't look back at this as a failure. You're a great actress, I meant it.
Rachel Kemp:
Thank you.
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Sentimental Value - Uncertainty in Creative Collaboration
Gustav Borg:
So, you don't wanna do the film anymore.
Rachel Kemp:
I, uh.. I just.. I just don't wanna let you down. I won't drop out if you really want me to stay. But is it just me? This just doesn't feel right. It doesn't feel right to you either, does it? Me doing this film?
Gustav Borg:
Of course it does.
Rachel Kemp:
I don't think it does, you know? You asked me to dye my hair the same color as your daughter. And, I mean, you don't want this film to be in English, do you? That feels wrong to you too, right? And I don't wanna disappoint you. I'm sorry.
Gustav Borg:
I let you down, Rachel. I'm sorry. Most actors would do the role even if it felt wrong. Or just leave and let the agents sort it out. But you came here. You're a good person.
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Sentimental Value - Footstool with a Troubling Family History
Gustav Borg: [about Rachel preparing for the role in his comeback movie]
This'll be great, she's motivated. I told her that footstool was the one my mom used to hang herself.
Agnes Borg Pettersen:
The one from IKEA?
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Sentimental Value - Theatrical Release Inquiry for Netflix Film
Press:
Your movie is a Netflix production. Will it be released in theatres?
Gustav Borg:
Well... how else would you watch it?
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Deep Blue Sea - Divine Creation and Human Responsibility Debate
Russell Franklin: [on seeing the modified shark]
What in God's creation...?
Jim Whitlock:
Oh, not His. Ours.
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Deep Blue Sea - Ancient Nature of Sharks Explored
Jim Whitlock:
Sharks are the oldest creatures on the planet...from a time when the world was just flesh and teeth.
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Ronin - Uncertainty About the Boathouse Color
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Angels & Demons - A Clash of Perspectives on Faith
Robert Langdon:
If you care at all about your church, you'll listen to me.
Commander Richter:
My church? My church comforts the sick and dying. My church feeds the poor. What does your church do, Mr. Langdon? That's right. You don't have one.
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King Arthur - A Clash of Ideals and Allegiances
Cerdic:
Arthur. Wherever I go on this wretched island, I hear your name. Always half-whispered, as if you were a god. All I see is flesh and blood, no more god than the creature you're sitting on.
Arthur:
Speak your terms, Saxon.
Cerdic:
The Romans have left you. Who are you fighting for?
Arthur:
I fight for a cause beyond Rome's or your understanding.
Cerdic: [Arthur levels his sword at Cerdic's face]
You come to beg a truce. You should be on your knees.
Arthur: [''Arthur rides off'']
I came to see your face, so that I alone may find you on the battlefield. And it would be good for you to mark my face, Saxon, for the next time you see it, it will be the last thing you see on this earth!
Cerdic:
Ah... Ah, finally. A man worth killing.
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The Girl with the Dragon Tattoo - The Complexity of Success and Failure
Martin Vanger:
You know what's harder than hitting someone with a gun? Just missing them. It was a very good shot, up at the cabin.
Blomkvist:
Well it didn't work. I'm still here.
Martin:
Mikael, it did work. You're here.
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The Girl with the Dragon Tattoo - Isolation and Duty in Relationships
Martin Vanger:
I've never had a man down here. I've never actually touched another man — except for my father, of course. That was my duty, mine and Harriet's.
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The Girl with the Dragon Tattoo - The Psychology of Control and Fear
Martin Vanger:
So, what would you like to know? You're a journalist; it's your job to ask me questions. What do I do with the girls? That's a good question. Well, before I do what we're doing, I sit down, relax, have a drink. I like that part a lot. Having a chat when both of you know that one of you is going to die. Afterwards I just get rid of them, far out at sea. Unlike my father. He left them scattered all over the place, like trophies. That's not very smart, if you ask me. He was a loud and garish man; frankly, he got what he deserved. You can't be a sloppy technician like that. You can't drink to excess, like he did. This takes discipline. It's a science of a thousand details: the planning, the execution, the cleanup. I guess I don't have to tell you, but you're going to create quite a mess. Let me ask you something. Why don't people trust their instincts? They sense something is wrong, someone is walking too close behind them... You knew something was wrong, but you came back into the house. Did I force you, did I drag you? No. All I had to do was offer you a drink. It's hard to believe the fear of offending can be stronger than the fear of pain but, you know what? It is, and they always come willingly. And they sit there, and they know it's all over, just like you do, but somehow they still think they have a chance. Maybe if I say the right thing, maybe if I'm polite, if I cry, if I beg. And when I see the hope draining from their face, like it's draining from yours right now, I feel myself getting hard. But you know, we're not that different, you and I. We both have urges. Satisfying mine requires more towels.
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The Girl with the Dragon Tattoo - A Hunting Invitation with Conditions
Martin Vanger:
You'll have more luck with a gun. When we go hunting. I want to show you something. Bring your drink. Leave my knife.
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Cinderella - A Bargain for a Ball and a Princess
Grand Duke:
I think we might have made a bargain: A ball for the people, and a princess for the prince.
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Cinderella - Concerns About the Kingdom's Future
Grand Duke:
How many divisions will this "good, honest country girl" provide us? How will she make the kingdom stronger? We are a small kingdom amongst great states, Your Royal Highness. And it's a dangerous world.
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Dune - Dominion Over Arrakis and Its Challenges
Piter De Vries:
If the Duke's son lives--
Baron Vladimir Harkonnen:
No Atreides shall live.
Piter De Vries:
My Lord, you gave your word to the witch, and she sees too much.
Baron Vladimir Harkonnen:
I said I would not harm them, and I shall not. But Arrakis is Arrakis, and the desert takes the weak. My desert. My Arrakis. My Dune.
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Dune - The Jealousy of Power and Betrayal
Glossu Rabban:
Uncle, how can we let this happen? How can the Emperor... TAKE EVERYTHING WE'VE BUILT AND GIVE IT TO THAT DUKE?! HOW?!
Piter De Vries:
Don't be too sure it's an act of love.
Glossu Rabban:
What does he mean?
Baron Vladimir Harkonnen:
When is a gift not a gift? The Atreides voice is rising, and the Emperor is a jealous man. A dangerous, jealous man.
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Dune - The End of House Atreides
Baron Vladimir Harkonnen:
For hundreds of years, we've traded blood for blood. But no more. Your son is dead. Your concubine is dead. Tonight the House of Atreides falls. And your bloodline ends forever.
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Dune - Claiming Authority Over Arrakis
Baron Vladimir Harkonnen:
I said I would not harm them, and I shall not. But Arrakis is Arrakis, and the desert takes the weak. My desert. My Arrakis. My Dune.
Quotes sourced from Wikiquote (© Wikiquote contributors), licensed under CC BY-SA 4.0. Modified for formatting/length.