Call Me by Your Name - Anticipating Oliver's Farewell Style
Elio:
(about Oliver) You watch, this is how he’ll say goodbye to us when the time comes. With his gruff, slapdash, Later !
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Call Me by Your Name - Regret Over Words Unspoken
Elio:
I wish I hadn’t spoken.
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Don't Look Up - Appreciating the Joy of Fingerling Potatoes
Dr. Randall Mindy:
Why don't you go find some, uh... what are the little potatoes called? The tiny ones?
Kate Dibiasky:
Fingerling potatoes?
Yule:
Oh, I fucking LOVE fingerling potatoes!
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Don't Look Up - A Moment of Vulnerability and Chaos
Yule:
Dr. Mindy, can I be vulnerable in your car?
Yule:
Dearest Father and Almighty Creator, we ask for Your grace tonight, despite our pride. Your forgiveness, despite our doubt. Most of all, Lord, we ask for Your love to soothe us through these dark times. May we face whatever is to come in Your divine will with courage and open hearts of acceptance. Amen.
Benedict Drask: [screaming at approaching comet, trying to shoot it]
You'll never take me alive!
Peter Isherwell: [about the "Brontorocs", a newly-discovered flightless bird]
Whatever you do, don't pet them...
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Marty Supreme - Consequences of Misbehavior in a Humorous Context
Milton Rockwell:
Ah Marty, gimme the paddle. Ok, so here's what I want you to do. I want you to bend over that chair and drop your pants.
Marty Mauser:
For real?
Milton Rockwell:
You've been a really a bad boy and now you're going to get a spanking.
Marty Mauser:
Oh come on.
Milton Rockwell:
You want to get to Japan, don't you?
Marty Mauser:
Yes, but...
Milton Rockwell:
Well, that's what it's going to take.
Marty Mauser:
So to be clear, you're going to bring me to Japan and then compensate me.
Milton Rockwell:
Correct. We leave from Laguardia at 8am.
Marty Mauser:
Uh, do I need a ticket?
Milton Rockwell:
It's my plane.
Marty Mauser:
And how do I know you're going to honor this?
Milton Rockwell:
You don't. I'm not trying to control you Marty, but I don't think you understand the stakes. You have no power here.
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Marty Supreme - Unresolved Communication Between Friends
Rachel Mizler:
Aren't you going to say something?
Marty Mauser:
Uh... Congratulations?
Rachel Mizler:
Congratulations? Are you... I've been trying to get in touch with you for 8 months!
Marty Mauser:
I wouldn't know. I've...
Rachel Mizler:
I left a million messages with your service!
Marty Mauser:
Look, I can see what you're trying to do and it's not gonna work.
Rachel Mizler:
Excuse me?
Marty Mauser:
It's not mine, Rachel.
Rachel Mizler:
It is absolutely yours.
Marty Mauser:
I pull out! I pull out, does Ira pull out?
Rachel Mizler:
What are you saying...
Marty Mauser: [''Rachel cries'']
It's a simple question, just answer it yes or no.
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Marty Supreme - Questioning Intentions Among Friends
Marty Mauser:
How much is he paying you?
Officer Sal:
What's that?
Marty Mauser:
You heard me.
Murray Norkin:
That's enough, Marty!
Marty Mauser:
No! How much is my uncle paying you to scare me?
Officer Sal:
Excuse me?
Marty Mauser:
Cause whatever it is, I'll double it for you to suck my dick.
Officer Sal:
What did you just say to me?
Marty Mauser: [''the cop hits him'']
Ugh, brush your teeth. What'd you, gargle diarrhea...
Murray Norkin:
Hey, hey, hey!
Marty Mauser:
He hit me, Murray! He hit me!
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Marty Supreme - Conflict in a Moment of Grief
Ira Mizler: [Marty and Rachel were embraced]
What's this?
Rachel Mizler:
Marty's father just died. I was consoling him.
Ira Mizler:
Bullshit.
Marty Mauser:
Ira, this is my friend since I was 8 years old.
Ira Mizler:
Am I talking to you?
Marty Mauser:
Now you are.
Rachel Mizler:
Marty, don't...
Ira Mizler:
No. Keep going. I'll rip that unibrow right off his fucking forehead.
Marty Mauser:
You wanna get physical with me? Like an ape?
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Marty Supreme - A Provocative Challenge Between Characters
Wally:
Why don't you put your money where your mouth is?
Marty Mauser:
How bout I put my penis where your mouth is?
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Marty Supreme - Understanding Continence Through Personal Experience
Marty Mauser:
Do you know what continence is, Wally? No? Every time I take a piss, I pull back, I hold my urine in, and I count to ten Mississippi.
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Marty Supreme - Survival Instincts Shaped by Upbringing
Marty Mauser:
It's every man for himself where I come from. That's just how I grew up.
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Marty Supreme - Meaning and money in life dynamics
Marty Mauser:
I give you meaning, and he gives you money.
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Marty Supreme - Determination Amidst Life's Challenges
Marty Mauser:
Everything in my life's falling apart but I'm going to figure it out.
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Marty Supreme - Understanding Purpose and Obligation
Marty Mauser:
I have a purpose. If you think that it's some kind of blessing it's not. It means I have an obligation to see a very specific thing through.
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Marty Supreme - Marty Mauser's Bold Assertion
Marty Mauser:
I'm Hitler's worst nightmare.
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Marty Supreme - A Promise of Retribution by Marty Mauser
Marty Mauser: [[w:Auschwitz concentration camp|Auschwitz]
I'm going to do to Kletzki what ] couldn't.
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Wonka - Willy Wonka's Vision for a Chocolate Shop
Willy Wonka:
Mark my words, this is going to be the greatest chocolate shop the world has ever seen!
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Wonka - Changing the World with a New Perspective
Willy Wonka:
I guess it's time to change the world.
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Wonka - Willy Wonka's Encounter with a Mysterious Figure
Willy Wonka:
So you're the funny little man who's been following me.
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Wonka - Willy Wonka Introduces Himself at The Galeries Gourmet
Willy Wonka:
Ladies and gentlemen of The Galeries Gourmet, my name is Willy Wonka.
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Wonka - Hope for a Brighter Future
Willy Wonka:
I know things haven't been easy for you. They're going to get better.
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Wonka - Willy Wonka Introduces His Latest Invention
Willy Wonka:
Ladies and gentlemen, may I present to you a brand new contraption of my creation. An innovation in laundrification.
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Wonka - Willy Wonka's Journey of Mastery and Magic
Willy Wonka:
I've spent the past seven years traveling the world, perfecting my craft. You see, I'm something of a magician, inventor, and chocolate maker. So quiet up, and listen down. Nope. Scratch that, reverse it.
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A Complete Unknown - Choosing the Right Moment to Perform
Joan Baez: [as Bob joins her on stage at the 1965 Newport Folk Festival]
Pick something appropriate.
Bob Dylan: [Sarcastically]
Appropriate?
Joan Baez:
Just fuck off and sing.
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A Complete Unknown - Freedom from Expectations and Relationships
Joan Baez:
Well you finally got it.
Bob Dylan:
Got what?
Joan Baez:
Freedom from us and all our shit. Isn't that what you wanted?
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A Complete Unknown - The Weight of Choices and Identity
Sylvie Russo:
It was fun to be on the carnival train with you, Bobby, but I think I gotta step off. I feel like one of those plates, you know, that the French guy spins on those sticks on the Sullivan show.
Bob Dylan:
Oh, I like that guy.
Sylvie Russo:
I'm sure it's fun to be the guy, Bob. But I was a plate.
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A Complete Unknown - The Struggle for Authenticity in Public Life
Bob Dylan: [in elevator after leaving fancy Harold Leventhal party]
Two hundred people in that room and each one wants me to be somebody else. They should just fuck off and let me be.
Bobby Neuwirth:
Be what?
Bob Dylan:
Excuse me?
Bobby Neuwirth:
They should fuck off and let you be what?
Bob Dylan:
I don't know. Whatever it is they don't want me to be.
Bobby Neuwirth:
Y'know, I'm not a horse, so... I don't like carrying other people's weight.
Bob Dylan:
Yeah, well, I got a hundred pounds on me that don't show on the scale.
Bobby Neuwirth:
How do you sing then?
Bob Dylan:
I put myself in another place. But I'm a stranger there.
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A Complete Unknown - Learning Music from Unlikely Sources
Joan Baez:
Who taught you to play?
Bob Dylan:
I taught myself, really. Picked up a few licks at the carnival.
Joan Baez: [in disbelief]
At the carnival?
Bob Dylan:
Oh yeah, there was singing cowboys that come through teach me all sorts of funny chords. They'd pass through doin shows in Kansas or Dakotas. These chords I learned from a cowboy named Wigglefoot.
Joan Baez: [pause]
You were in a carnival? You are so completely full of shit.
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A Complete Unknown - Defying Expectations in Folk Music Performance
Bob Dylan:
I don't think they want to hear what I want to play.
Johnny Cash:
Who's they?
Bob Dylan:
You know, the people who decide what folk music is or isn't.
Johnny Cash:
Fuck them, I wanna hear you. Go track some mud on somebody's carpet. Make some noise, B.D.
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A Complete Unknown - Reflections on Fame and Friendship
Bob Dylan: [in voiceover reading the letter he's writing to Johnny Cash on an airplane]
Dear Johnny, Thanks for that letter. I am now famous -- famous by the rules of public famiosity. It snuck up on me and pulverized me. To quote Mr. Freud, I get quite paranoid.
Johnny Cash: [in voiceover reading the letter he's writing to Dylan on an airplane.]
Bob -- Got your letter. Tonight I sit in the wake of one more hard rain. I was in New York last week. Saw a bunch of folk singers that couldn't hold a chigger on your ass. Well, I'll see you in Newport come spring. Until then, track mud on somebody's carpet.
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A Complete Unknown - A Conversation About Music and Ambitions
Sylvie Russo:
What do you want to be?
Bob Dylan:
A musician. Who eats.
Sylvie Russo:
Well, I like your songs.
Bob Dylan:
My record comes out in a couple weeks.
Sylvie Russo:
Some of the songs you played today on your record?
Bob Dylan: [[Shakespeare]
It's mostly covers. It's traditional stuff. Y'know, folk songs are supposed to stand the test of time, like ] or something. They say no one wants to hear what a kid wrote last month.
Sylvie Russo:
Who's they'?
Bob Dylan:
The record company. Manager.
Sylvie Russo: [they get up and begin to leave the restaurant]
I'm sorry, but, "Where Have All The Flowers Gone?" is not Shakespeare. There was a time when the old songs were new, right? Someone at some point had to give the songs a chance. I mean, there's a civil war going on down south. The biggest military buildup in history. Nuclear bombs hanging over us. It's not all about the Dust Bowl and Johnny Appleseed anymore.
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A Complete Unknown - Artistic Comparison in a Unique Metaphor
Bob Dylan:
Your songs are like an oil painting at the dentist's office.
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A Complete Unknown - The Source of Creative Inspiration
Bob Dylan:
Everyone asks where these songs come from, Sylvie. But then you watch their faces, and they're not asking where the songs come from. They're asking why the songs didn't come to them.
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Dune: Part Two - Enduring Love in Dune: Part Two
Paul Atreides: [to Chani]
I want you to know... I will love you as long as I breathe.
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Dune: Part Two - Confrontation with Mortality in Dune: Part Two
Paul Atreides: [to Baron Harkonnen]
Grandfather. You die like an animal.
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Dune: Part Two - Celebrating the Spirit of Resistance
Paul Atreides: [in Chakobsa]
Long live the fighters! (Addaam reshii a-zaanta!)
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Dune: Part Two - Paul Atreides Declares His Identity and Purpose
Paul Atreides: [in Chakobsa]
I am Paul Muad'dib Atreides, Duke of Arrakis. The Hand of God be my witness! I am the Voice from the Outer World. I will lead you to PARADISE! (E Rudhi Dina, heshidhanii: ne Lisaan al-Gayib. Ruyi dimala ruk ashidhgim!)
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Dune: Part Two - The Weight of Destiny and Fear
Paul Atreides: [in Chakobsa; in English; in Chakobsa]
Your mothers warned out about my coming! Fear the moment. But do you think you could have a chance? But you're afraid. What if I could be the One? This could be the moment you've been praying for, all your life. You're praying now to your grandmother. She died nine moons ago. She lost an eye. A rock smashed her face when she was crossing the Belt. She was twelve when it happened. At that time, this world had a Fremen name. Dune.
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Dune: Part Two - Survival Through Identity and Heritage
Paul Atreides:
We're Harkonnens. So this is how we will survive. By being Harkonnens.
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Dune: Part Two - Navigating Through Adversity and Uncertainty
Paul Atreides:
Our enemies are all around us. And in so many futures, they prevail. But I do see a way. There is a narrow way through.
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Dune: Part Two - Recognition of Familiarity in Dune
Paul Atreides: [to Gurney]
I recognized your footsteps... Old Man.
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Dune: Part Two - Unifying Forces Against a Common Enemy
Paul Atreides:
You've been fighting the Harkonnens for decades. My family's been fighting them for centuries. I know everything about them, their habits, their ways of thinking. You know everything about the desert, you harness the very power of it. We can stop them together, bury them in the sand where they belong so that this planet can be yours once more.
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Dune: Part Two - Paul Atreides on Sandwalking Techniques
Paul Atreides:
Now that's interesting, because in the filmbooks, the anthropologists say in order to properly sandwalk, you actually have— Never mind. Please keep going.
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Dune: Part Two - A Request for Partnership in Battle
Paul Atreides:
Let me fight beside you. That's all I'm asking.
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Dune: Part Two - Perception and Misinterpretation of Power
Paul Atreides:
Look at how your Bene Gesserit propaganda has taken root. Some of them already think I'm their Messiah. Others... a false prophet.
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Dune: Part Two - A Call for Reflection Amidst Loss
Paul Atreides:
Sister, Father is dead. Shouldn't you go back to the stars, be with him? I'm afraid I won't have enough time to fix things before your coming. This world is beyond cruelty.
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Dune - The Weight of Heritage and Power
Reverend Mother Mohiam:
Like sifting sand through a screen, we sift people. If you had been unable to control your impulses like an animal, we could not let you live. You inherit too much power.
Paul Atreides:
What, because I'm a duke's son?
Reverend Mother Mohiam:
Because you are Jessica's son. You have more than one birthright, boy.
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Dune - Lessons in Leadership and Legacy
Reverend Mother Mohiam:
You’ve proven you can rule yourself. Now you must learn to rule others. It’s something none of your ancestors learned.
Paul Atreides:
My father rules an entire planet.
Reverend Mother Mohiam:
He’s losing it.
Paul:
He’s getting a richer one.
Reverend Mother Mohiam:
He’ll lose that one, too.
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Dune - The Test of Pain and Survival
Reverend Mother Mohiam:
The test is simple. Remove your hand from the box, and you die.
Paul Atreides:
What's in the box?
Reverend Mother Mohiam:
Pain.
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Dune - The Relativity of Mood in Conflict
Paul Atreides:
I guess I'm not in the mood today.
Gurney Halleck:
Mood? What's mood to do with it? You fight when the necessity arises, no matter the mood. Now fight!
Paul:
I have you.
Gurney Halleck: [Paul does, and sees Gurney's blade to his ribs.]
Aye, but look down, my lord. We'd have joined each other in death. I see you found the mood.
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Dune - Struggles of Legacy and Personal Ambition
Paul Atreides:
What if I'm not, Dad?
Duke Leto Atreides:
Not what?
Paul Atreides:
The future of House Atreides.
Duke Leto Atreides: [shows Paul his signet ring]
I told my father I didn't want this either. I wanted to be a pilot.
Paul Atreides:
You never told me that.
Duke Leto Atreides:
Your grandfather said, "A great man doesn't seek to lead. He's called to it, and he answers." And if your answer is no, you'll still be the only thing I ever needed you to be. My son.
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Dune - A Playful Exchange on Physical Transformation
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Dune - A Request to Join the Advance Team
Paul Atreides:
So, you're going to Arrakis tomorrow. With the advance team.
Duncan Idaho:
Yes, I'm going to Arrakis tomorrow with the advance team.
Paul Atreides:
I'd like you to take me with you.
Duncan Idaho: [Paul nods]
You would? Well, that's too bad. Cause no.
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Dune - A Call to Unity in the Desert
Paul Atreides:
The Emperor sent us to this place. And my father came, not for spice, not for the riches, but for the strength of your people. My road leads into the desert. I can see it. If you'll have us, we will come.
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