Shanghai Noon - Loss of Winging It Privileges
Wallace:
I was just winging it!
Roy O'Bannon:
What? No! That's not how we wing it! You've lost your "winging it" privileges!
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House of 1000 Corpses - Tension Between Law and Clownish Humor
Lt. George Wydell: [holds a photo of Denise]
Have you seen this girl in the past 24 hours?
Captain Spaulding:
Yeah, cute kid. Ain't my type though. You know, I like em with a little more meat on em. Ha ha. The bigger the cushion, the sweeter the pushin'.
Deputy Steve Naish:
Come on clownie, just answer the damn questions. We ain't interested in your love life.
Lt. George Wydell:
Cut the crap Spaulding and get with the facts.
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The Hateful Eight - Acknowledging a Disadvantage in Conversation
Sheriff Chris Mannix:
Well, like I said friend, you got me at a bit of a disadvantage.
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Predators - Contrast Between Environments and Attitudes
Stans:
Wow, what a shithole. You live here?
Noland:
Oh, no. No. This is my summer home. I winter in the Riviera. The schools are so much nicer there. And the men... Ooh, la, la! By the way, you're welcome.
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Predators - Consequences of Knowledge and Decision-Making
Royce:
I needed to know who we're up against. Now I do.
Stans:
A man is dead because of that.
Royce:
This morning you were ready to kill him.
Stans:
Well it ain't this goddamn morning, is it?
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Predators - Contemplating Excess After Surviving Danger
Stans:
You know, man, if we ever make it home, I'm going to do so much fucking cocaine. I'm gonna rape so many fine bitches. I'll be like, "What time is it? After 5:00? Damn. Time to go rape me some fine bitches.
Quotes sourced from Wikiquote (© Wikiquote contributors), licensed under CC BY-SA 4.0. Modified for formatting/length.
G.I. Joe: Retaliation - A Message of Hopelessness Amidst Salesmanship
Warden Nigel James:
Listen to me. I sound like a real estate agent. I'm not here to sell you anything. Except maybe hopelessness.
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G.I. Joe: Retaliation - Unexpected Encounter with a Fan
Warden Nigel James:
Snake Eyes. Last place I thought I'd see you. Warden James. It's a pleasure. I'm a very big fan. I love the black. It's very Johnny Cash.
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Maze Runner: The Death Cure - Rallying Call Against Oppression
Lawrence:
Don't be scared. I may not be pretty– but we all know who the enemies are, cowering behind those walls! They have a name– for people like us in there. They call us Cranks! But I say that they are the monsters. They're the ones who started this war, but tonight– we will finish it. Follow me. Follow me and we will show them the faces of the people that they have chosen to forget! Follow me and this city is yours!
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Maze Runner: The Death Cure - The Cautious Nature of Business Decisions
Lawrence:
Do you know what I am– Thomas? I am a businessman– which means that I don't– take– unnecessary risks.
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Maze Runner: The Death Cure - A Playful Reflection on Loss
Lawrence:
Rose took my nose, I suppose.
Quotes sourced from Wikiquote (© Wikiquote contributors), licensed under CC BY-SA 4.0. Modified for formatting/length.
Ant-Man and the Wasp - Confusion Over Truth Serum Claims
Luis: [beat]
You know what, you're right. This isn't truth serum. Cause I don't feel anything. That was a lie. I did feel something. This is truth serum!
Uzman:
No such thing...!
Sonny Burch:
Okay... Okay, okay. I'mma make this really easy for you, Luis...
Luis:
Okay.
Sonny Burch:
Where... is Scott Lang?
Luis: [flashback starts, showing Scott in his prison cell as Luis joins him]
Oh see, that's complicated. Cause when I first met Scott, he was in a bad place. And I'm not talkin about Cellblock D; his wife had just filed for divorce, and I was like: "Damn homie, she dumped you while you are locked up?!" And he was like: "Yeah, you know, I thought I was gonna be with her for ever, but now I'm all alone!" And I was like: "Damn homie, you know what, you gotta chin up, cause you'll find a new partner, you know what? I'm Luis!" And he says: "You know what? I'm Scottie, and we're gonna be best friends"--
Sonny Burch: [interrupts flashback]
Okay, hold on, hold on. I like a good story as much as the next person, but what in the hell does this have to do with where Scott Lang is?
Luis:
I'm getting there! I'm getting there.
Dave:
You put a dime in him, you gotta let the whole song play out.
Kurt:
He hit like human jukebox.
Luis: [another flashback begins; [Morrissey; flashback ends]
Oh, my abuelita had a jukebox in her restaurant! Yeah, only played ]. And if anybody ever complained, she'd be like: "Oh, ¿no te gusta Moz?" - you know, chicanos, we call him Moz - "then ¡adios!" What can I say, ya know, we relate to his melancholic ballads, ya know?
Sonny Burch:
Lang.
Luis: [flashback starts with Scott and Hope in the Pyms' home; flashback switches to Scott and Hope making out in a corridor; [Captain America: Civil War|I'm gonna go thrash an airport with Captain America; flashback switches to Hope talking on her phone on the street; flashback stops momentarily before switching to Scott in his house arrest; flashback stops, then switches to Scott and Hope at the office of Luis' security company; in the flashback, Luis is staring at the Entenmann's Raspberry Danish Twist box on his desk]
Right, right, right, right, right, right. So anyway, Scottie gets out of jail, and he starts working for Hank, that's when he met Hope. And Hope's all like: "I want nothing to do with you, look at my hairdo, I'm all business!" And then Scottie's like: "You know what, girl, my heart is all broken, and I'll probably never find love again, but damn if I wanna kiss you!!" But then you fast-forward and they're all like into each other, right? And then Scottie's like: "You know what, I can't tell you this, but ]!" And then she said: "I can't believe you split like that! Smell you later, dummy!" So Scottie was on house arrest, and he wouldn't admit it, but his heart was all like: "Damn, I thought Hope coulda been my new true partner, but I blew it!" But fate brought em back together, and then Hope's heart is all: "I'm worried that I can't trust him, and he's gonna screw up again and ruin everything!" And then my heart is all like: "That fancy raspberry filling represents the company's red, and we're days away from going out of business-- OOOOH!
Kurt:
Out of business?!
Dave:
Days away?!
Luis:
Damn truth serum! Aw, ya know, I was tryin to protect you guys, I swear to God, and ya know, I was tryin to be a good boss, but we're broke, and the Karapetyans are our last hope, and if we don't show up, we're done!
Kurt:
That's terrible bossing!
Dave:
Damn, bro!!!
Luis:
That's on me! That's on me--
Sonny Burch: [already losing his patience]
Hey! Enough. I'm gonna ask you one more time. Where is Scott Lang?
Luis:
I've been tryin to tell you, he's in a tricky spot, emotionally speaking!
Sonny Burch: [angrily]
Emotionally speaking? Well, where is Scott Lang... LITERALLY SPEAKING?!?
Luis:
Oh! The woods.
Ghost:
The woods??
Kurt: [panicking]
BABA YAGA!!!
Ghost: [grabbing Luis]
What do you mean, "the woods"?!
Luis: [terrified]
The Muir Woods! The second fire road off the Panoramic Highway!
Ghost: [annoyed; leaves]
...For God's sake!
Kurt: [singing, terrified]
Baba Yaga, come at night, little children, sleeping tight...
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Django Unchained - Tensions Rise in a Heated Exchange
Billy Crash:
D-Jango, you black son of a bitch!
Django: [shoots Crash in the head]
The D is silent, hillbilly.
Cora:
Do what now?
Django:
I said, tell Ms. Lara goodbye?
Cora: [Django shoots Lara, knocking her into the next room]
Bye, Ms. Lara!
Django: [Cora and Sheba flee from the mansion]
Y’all you two run along now. Stephen, how you like my new duds? You know, before now I didn't know that burgundy was my color.
Stephen:
I count six shots, nigger.
Django: [shoots Stephen in his right knee]
I count two guns, nigger. You said in 76 years on this plantation, you seen all manner-a shit done to niggers. But I notice, you didn't mention kneecappin'.
Stephen:
Oh God! Motherfucker! Damn it!
Django: [Django shoots Stephen in his left knee, who collapses screaming]
Seventy-six years, Stephen. How many niggers you see come and go, huh? Seven thousand? Eight thousand? Nine thousand? Nine thousand, nine hundred and ninty nine? Every single word that came out of Calvin Candie's mouth was nothin but horseshit. But he was right about one thing: I am that one nigger in 10,000.
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Django Unchained - Confrontation Among Bounty Hunters and Allies
Billy Crash: [To Django; holding a knife to Django's groin; Django screams in pain; Django yells a muffled "please!"]
So y'all bounty hunters, huh? I knew there was somethin fishy bout y'all. We found your wanted posters and book of figures in your saddle bags. I gotta say, I ain't never hearda no black bounty hunter before. Black boy paid to kill white men, how'd ya like that kinda work? Probably pretty good while it lasted, huh? Time to say goodbye to them nuts, blackie. On three. One. I gotcha. Two. Calm down now, here it comes.
Stephen:
Captain? Miss Lara wanna see you. Somethin to do with the old man's funeral. Oh, and she changed her mind bout snippin Django. She gonna give em to the LeQuint Dickey people.
Billy Crash: [annoyed]
Well she didn't waste a minute tellin me. How disappointing.
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Django Unchained - The Silent Letter in Django's Name
Amerigo Vessepi:
What's your name?
Django:
Django.
Vessepi:
Can you spell it?
Django:
D-J-A-N-G-O... the D is silent.
Vessepi: [[Django (1966 film)|I know]
].
Hoot: [To Django]
The name of the game is "keep up", not "catch up", nigger.
Django:
Touch your guns, you die.
Calvin Candie:
Everybody calm down! I saw the whole thing, no harm done.
One of Candie's men:
Are you kiddin me? This nigger--
Candie:
I said "no harm done"! Now take your hand off your pistol!
Candie:
Butch, that means you too.
Candie: [Django holsters his pistol]
Everybody stop antagonizing my guest. Hoot! Get back up on your horse.
Hoot:
He broke my collarbone!
Candie:
For God sake, somebody please help Hoot here back up on his Goddamn horse.
Billy Crash:
Oh, you are one lucky nigger.
Django:
You better listen to your boss, white boy.
Billy Crash:
Oh, I'ma go walkin in the moonlight with you.
Django:
You wanna hold my hand?
Quotes sourced from Wikiquote (© Wikiquote contributors), licensed under CC BY-SA 4.0. Modified for formatting/length.
