• Freddy's Dead: The Final Nightmare (1991)

    Murderous ghoul Freddy Krueger (Robert Englund) has slaughtered every last child in his hometown. He ventures on to a new location, scouting fresh young victims to hack up with his finger blades. He arrives in a small town in which his long-lost daughter, Maggie (Lisa Zane), works as a therapist for troubled youths. He attempts to recruit her for his dastardly pursuits, but she has other ideas. Father and daughter meet for a bloody showdown that will determine Freddy's fate once and for all.

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Freddy's Dead: The Final Nightmare
39
metacriticBased on 14 Critics
50
Based on 13 Users

Release Date: September 13th, 1991

DVD Release Date: August 22nd, 2000

R |1 hr 30 min

Plot Summary

Murderous ghoul Freddy Krueger (Robert Englund) has slaughtered every last child in his hometown. He ventures on to a new location, scouting fresh young victims to hack up with his finger blades. He arrives in a small town in which his long-lost daughter, Maggie (Lisa Zane), works as a therapist for troubled youths. He attempts to recruit her for his dastardly pursuits, but she has other ideas. Father and daughter meet for a bloody showdown that will determine Freddy's fate once and for all.

Cast: Robert Englund, Lisa Zane, Shon Greenblatt, Lezlie Deane, Ricky Dean Logan, Breckin Meyer, Yaphet Kotto, Elinor Donahue

Director: Rachel Talalay

Genres: Horror

Production Co: New Line Cinema

Distributors: New Line Cinema

Keywords: Quest, Fall, Daughter, Small town, 1990s

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Ratings & Reviews

  • 50
    Susan WloszczynaUSA Today

    Freddy's Dead is fan fare, with little to offer those who aren't already Freddy freaks. [16 Sept 1991, p.5D]

  • 50
    Chicago Tribune

    To sum it up, you should see this movie if you have a burning need to waste money to find out an obscure fact about a has-been villain committing an everyday crime - namely, taking that money you just wasted. [20 Sept 1991, p.K]

  • 50
    San Francisco Chronicle

    So Freddy's Dead, in the hands of first-time director Rachel Talalay, pretty much tramples incoherently and unscarily across the same old cemeteries of the mind and through the same dark corridors of old, cobwebbed houses. [14 Sept 1991, p.C3]

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