Interiors (1997) - Movie

Interiors (1997)
When dominating interior designer Eve (Geraldine Page) and her husband, Arthur (E.G. Marshall), split after decades of marriage, it comes as a shock to their adult daughters -- tightly wound author Renata (Diane Keaton), struggling actress Joey (Mary Beth Hurt) and flighty Flyn (Kristin Griffith) -- as does Arthur's new romance with a vibrant artist (Maureen Stapleton). This was writer-director Woody Allen's first dramatic feature, and the first of his films in which he did not act.
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Release Date: June 18th, 1997

DVD Release Date: July 5th, 2000

PG |1 hr 33 min

Plot Summary

When dominating interior designer Eve (Geraldine Page) and her husband, Arthur (E.G. Marshall), split after decades of marriage, it comes as a shock to their adult daughters -- tightly wound author Renata (Diane Keaton), struggling actress Joey (Mary Beth Hurt) and flighty Flyn (Kristin Griffith) -- as does Arthur's new romance with a vibrant artist (Maureen Stapleton). This was writer-director Woody Allen's first dramatic feature, and the first of his films in which he did not act.

Cast: Diane Keaton, Geraldine Page, E.G. Marshall, Kristin Griffith, Mary Beth Hurt, Richard Jordan, Maureen Stapleton, Sam Waterston

Director: Woody Allen

Genres: Drama

Production Co: Rollins-Joffe Productions

Distributors: Warner Home Vídeo, United Artists

Keywords: Brooding, Transformation, Sister, Father, Mother, Family, Touching, Love, Dark, 1970s

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Ratings & Reviews

100
Roger EbertChicago Sun-Times
Interiors becomes serious by intently observing complex adults as they fend and cope, blame and justify. Because it illuminates some of the ways we all act, it is serious but not depressing; when it's over, we may even find ourselves quietly cheered that Allen has seen so clearly how things can be. show more
60
Scott TobiasThe Dissolve
Much of what’s great about Interiors comes from Allen writing a piercing drama, straight from the heart; much of what’s bad about Interiors come from his arid feints at duplicating a master. show more
90
Time Out London
The film has moments of humour, but they are integrated into a totally serious structure which isolates the family's countervailing tensions with a scalpel-like penetration. Only in a single character, the failed husband of one of the daughters, does the tone falter towards soap. Otherwise the approach is rock steady and, if the film's surface invites superficial comparisons with Bergman, its real roots lie in the very finest American art. show more