The Horse the Violin and a Little Bit Nervous

Irina Evteevas debut quickly became a kind of manifesto for the oneroom experimental studio it defines classification by interweaving animation appropriated footage feature and documentary to form a unique whole a film that rushes backwards into the future thereby reinventing Futurism Mayakovskiy is the star his occasional presence holds together a film driven by the sound the beat of his poetry Evteeva develops a dramatic structure of flaring fading being from light violin strings become rays quivering dull yellow spots pictures The plot assails the material from which it derives energy from material History growling and roaring finds its form