The Mysteries (1968)

In my film I suggest that there is no greater mystery than that of the protagonists War and Love are simply equated for what they are the aftermath is inevitable and a normal human condition for which like the ancients one can only have pity and understanding In this lies the mystery All else is irrelevant That there are other subcurrents of equal power in The Mysteries goes without saying and those who are capable of the numerous visual visitations and annunciations which the film offers them will realize what is the Ultimate Mystery of my work