The Seventh Seal poster

The Seventh Seal

"The story of a challenge to death."

81
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NR 1958 · 1h 36m
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About

When disillusioned Swedish knight Antonius Block returns home from the Crusades to find his country in the grips of the Black Death, he challenges Death to a chess match for his life. Tormented by the belief that God does not exist, Block sets off on a journey, meeting up with traveling players Jof and his wife, Mia, and becoming determined to evade Death long enough to commit one redemptive act while he still lives.

Theatrical
Oct 13, 1958
Box Office
$311K
Budget
$150K
Return
2.1x
DVD / Blu-ray
Nov 20, 2018
Theaters
1
Director
Writer
Producer
Music
Studio
SF Studios
Original Title
Det sjunde inseglet
Original Language
Swedish
The Seventh Seal on the Web

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Reflections on Life and Death in Film
Quotes about The Seventh Seal *] in "Through a Life Darkly" a review of The Magic Lantern : An Autobiography as translated by Joan Tate (1988) in The New York Times (18 September 1988).
[[Woody Allen]
Exploring Themes in The Seventh Seal
Quotes about The Seventh Seal The Seventh Seal was always my favourite film, and I remember seeing it with a small audience at the old New Yorker Theatre. Who would have thought that the subject matter could yield such a pleasurable experience? If I described the story and tried to persuade a friend to watch it with me, how far would I get? Well, I'd say, it takes place in a plague-ridden medieval Sweden and explores the limits of faith and reason based on Danish — and some German — philosophical concepts. Now this is hardly anyone idea of a good time, and yet it's all dealt off with such stupendous imagination, suspense, and flair that one sits riveted like a child at a harrowing fairy tale. Suddenly the black figure of Death appears on the seashore to claim his victim, and the Knight of Reason challenges him to a chess game, trying to stall for time and discover some meaning to life. The tale engages and stalks forward with sinister inevitability. Again, the images are breathtaking! The flagellants, the burning of the witch (worthy of Carl Dreyer), and the finale, as Death dances off with all the doomed people to the nether lands in one of the most memorable shots in all movies. ] is prolific, and the films that followed these early works were rich and varied, as his obsession moved from God's silence to the tortured relations between anguished souls trying to make sense of their feelings.
[[Ingmar Bergman|Bergman]

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