90
Based on 15 Critics
66
Based on 86 Users
  • [The trip to Israel] As a change-up intended to place the family in a new, revelatory context, it doesn’t quite work: The Pfeffermans just get on a tour bus and kvetch about the same stuff. Show More

  • Back and as impressively irritating as ever. Show More

  • Spiritual and emotional epiphanies abound in these 10 episodes, about as close as TV comes to living art. [3-9 Oct 2016, p.23] Show More

  • Season 2 is bolder, stronger, and more audacious because now, actions have consequences.... For a TV show, the stakes don’t get much higher and Soloway nails it all with ease. Show More

  • Its characters use politics as a pretext for making ungenerous choices, and thereby risk undermining the credibility of those politics in general. This allows Transparent to be more bracing, more challenging, and more compelling than most any other show on TV. Show More

  • What a lovely heart this show has, and what supple skills Transparent uses to explore the questions of identity and connection rolling around inside that wounded, hopeful heart. This is simply a great show. Show More

  • A touching, intimate, humor-laced family drama that is easily the best new show debuting this fall, and the way you'll be able to watch it holds a not-small part of its power. Show More

  • In Season 3, the superb writing and performances make Transparent more satisfying than ever. If there's a standout, it's Light as Shelly, providing most of the comedy as Shelly works on her own one-woman show. Show More

  • Transparent is as beautiful television as ever. ... The characters’ shaggy-dog awkwardness, it must be said, is sometimes shared by the show itself to its detriment. ... But even such missteps are admirable signs of the show insisting on the full humanity of marginalized people, regardless of which side of any given border they’re on. Show More

  • These scenes [flashbacks to Weimar Germany], which feature Michaela Watkins doing the best with a tritely anxious, angry character, are the weakest elements of the new season, at once too pat and too melodramatic. But the show benefits from terrific casting in its supporting roles this season, with great turns by Cherry Jones, Richard Masur, Anjelica Huston, and the poet Eileen Myles. Show More

  • What follows is a rich, funny, touching exploration not just of transgender life, but of family, identity and sexuality in general. Tambor's genius in the role is in creating a very particular female character well beyond makeup and wardrobe, seemingly on the cellular level. Show More

  • Transparent succeeds most of the time. The cast--led by Tambor--are terrific as usual. This year there are some rich, funny and moving moments, and the series continues to take chances other shows wouldn’t dare. Show More

See all critic reviews on metacritic.com