Thunderbolts - Florence Pugh’s Yelena Belova Returns
Thunderbolts*
Mortal Kombat II - Coming Soon Poster
Mortal Kombat II
Thunderbolts - Sebastian Stan’s Bucky Barnes Suits Up for an Undercover Mission
Thunderbolts*
Thunderbolts - Julia Louis-Dreyfus' Contessa Valentina First Look
Thunderbolts*
Daredevil: Born Again - First Look at the Meeting Between Matt Murdock and Wilson Fisk
Daredevil: Born Again
Conclave - Wins the SAG Award for Outstanding Performance by a Cast in a Motion Picture
Conclave
Thunderbolts - David Harbour's Red Guardian and Florence Pugh’s Yelena Team Up
Thunderbolts*
Daredevil: Born Again - First Look at Nelson, Murdock, and Page Reunited
Daredevil: Born Again
A Real Pain - Kiernan Culkin Wins SAG Award for Male Actor in a Supporting Role
A Real Pain
F1 - New Trailer Announcement
F1
Thunderbolts - First Team Look at Florence Pugh, Sebastian Stan, and David Harbour in Action
Thunderbolts*
The Substance - Demi Moore Wins SAG Award for Female Actor in a Leading Role
The Substance
Thunderbolts - Wheaties Poster
Thunderbolts*
Snow White - Once Upon A Time | Digital Sneak Peek
Snow White
Daredevil: Born Again - First Look at Matt Murdock and Karen Page's Reunion
Daredevil: Born Again
Mortal Kombat II - Johnny Cage Movie Poster
Mortal Kombat II

Jeff Keen

Jeff Keen
Born in November 26th, 1923From Trowbridge, Wiltshire, England, UK

Jeff Keen Biography

Jeff Keen (1923–2012) was a pioneer of experimental film whose rapid-fire animations, multiple screen projections and raucous performances redefined multimedia art in Britain. Keen was a veteran of the Second World War, and his work powerfully evokes the violence, colour, speed and noise of the 20th century. He transformed cinema into a riotous collage of comics, drawings, B-movie posters, plastic toys, burning props and extravagant costumes.

His early 8 mm and 16 mm films are built for speed, combining footage of Beat-era motifs – jazz, motorbikes and car culture – with experimental animations in which the achievements and atrocities of the 20th century seem to flash by within a few short, cacophonous seconds. A single frame could not contain the frenzied energy of Keen’s imagination, and by the mid-1960s he began to use multiple screens and live action in presentations of his work.

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Jeff Keen Movies

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