The Devil Wears Prada 2 - A Snarky Welcome from Nigel
Nigel:
Well, look what TJ Maxx dragged in.
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A Midsummer Night's Dream - Puck's Apology and Request for Forgiveness
Puck: [last lines]
If we shadows have offended,Think but this, and all is mended,That you have but slumber'd here.While these visions did appear.And this weak and idle theme,No more yielding but a dream,Gentles, do not reprehend:If you pardon we will mend.Else the Puck a liar call.Give me your hands, if we be friends,And Robin shall restore amends.
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A Midsummer Night's Dream - Puck's Mischievous Leadership in the Night
Puck:
Up and down, up and down,I will lead them up and down.I am feared in field and town.Goblin lead them up and down.
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Big Trouble - A Tense Farewell Between Two Characters
Arthur Herk: [to Eliot]
Good, now you and your shithead kid can get the hell out of here, and never come back.
Eliot Arnold:
Thanks for everything.
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Big Trouble - Community Tensions and Distrust in Small Town
Arthur Herk: [asked who might have shot his TV set]
I'll tell you who did it. It's probably some goddamn kids. Cause these goddamn kids today, they all got goddamn guns, and they're all sniffing glue!
Officer Monica Romero:
Any additional insights, Mr. Herk? Any information can help us to protect you.
Arthur Herk:
I seriously doubt that you or any other member of the police force in this town could protect their own dicks with both hands.
Officer Monica Romero: [to Matt]
Thank you for that observation. I'm not gonna arrest you, Matt, unless Mrs. Herk wants to press charges.
Anna Herk:
Hey... kids.
Arthur Herk:
I want to press charges! Cuff him!
Officer Monica Romero:
My hands are kind of full right now, what with holding my dick and all.
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Big Trouble - Tension in a Domestic Dispute
Jenny Herk:
Good thing you ran away, Arthur, you might have gotten wet.
Arthur Herk:
Shut up!
Officer Monica Romero:
Easy...
Arthur Herk:
Don't tell me easy, this is my goddamn house!
Officer Monica Romero:
And these are my handcuffs, and if you don't take it easy, you'll be wearing my handcuffs in your goddamn house.
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Big Trouble - Desperation and Pleas for Relief
Arthur Herk:
Make her stop! God in heaven, make her stop! SHE WANTS MY SOUL!!!
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Big Trouble - Desire for a Missile
Arthur Herk:
I need a missile.
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Big Trouble - A Morning Greeting with Attitude
Arthur Herk: [to his boss]
Morning, douchebag.
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Big Trouble - An Unusual Request from Arthur Herk
Arthur Herk:
Nina, this is my house, you work for me, and I want to suck your toes.
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Beethoven - Animal Experiment Preparation Scene
Vernon:
Nice dog, huh, Doc? He's perfect for the animal experiment.
Dr. Varnick:
Get everything ready. I'll be by in the morning. We'll do the test on him first thing.
Harvey:
Sure thing.
Harvey:
Okay, good doggie. Good doggie. OK, close the door. Close the door.
Vernon:
I've got him. Come on!
Harvey:
Good doggie. Come here, doggie. Come on!
Harvey:
Okay, I got him. Good, good. I got him. Come on, doggie.
Vernon:
Not you! Not you! The dog!
Vernon:
Put him in. Okay, you got him? In the cage. Get in.
Vernon:
SHUT UP!! There. Doc will work on him first thing in the morning, and then he's one dead puppy.
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Beethoven - Disagreement Over Teasing Dogs
Harvey:
I really don't like it when you tease the dogs.
Vernon:
What are you, some kind of animal lover?
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The Core - Expert Opinions on Geological Uncertainty
Col. Robert Iverson:
People. Doctors Zimsky and Keyes? You guys are our resident geophysicists, so what do you make of this?
Dr. Conrad Zimsky:
The mantle is a chemical hodgepodge of, a, variety of elements...
Dr. Ed Braz Brazzelton:
Say it with me: "I don't know.
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Margin Call - Impact of a Bridge on Community Life
Eric Dale:
Do you know I built a bridge once? ... I was an engineer by trade... It went from Dilles Bottom, Ohio to Moundsville, West Virginia. It spanned nine hundred and twelve feet above the Ohio River. Twelve thousand people used this thing a day. And it cut out thirty-five miles of driving each way between Wheeling and New Martinsville. That's a combined 847,000 miles of driving a day. Or 25,410,000 miles a month. And 304,920,000 miles a year. Saved. Now I completed that project in 1986, that's twenty-two years ago. So over the life of that one bridge, that's 6,708,240,000 miles that haven't had to be driven. At, what, let's say fifty miles an hour. So that's, what, 134,165,800 hours, or 559,020 days. So that one little bridge has saved the people of those communities a combined 1,531 years of their lives not wasted in a fucking car. One thousand five hundred and thirty-one years.
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Margin Call - Job Cuts in Risk Management Concerns
Eric Dale:
I run Risk Management. I don't really see how that's a natural place to start cutting jobs.
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Spotlight - Church's Control Over Legal Documents Revealed
Mike Rezendes:
Mitch, are you telling me that the Catholic Church removed legal documents from that courthouse?
Mitchell Garabedian:
Look, I'm not crazy, I'm not paranoid. I'm experienced. Check the docket. You'll see. They control everything.
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Spotlight - The Village's Role in Child Welfare
Mitchell Garabedian:
This city, these people... making the rest of us feel like we don't belong. But they're no better than us. Look at how they treat their children. Mark my words, Mr. Rezendes. If it takes a village to raise a child, it takes a village to abuse one.
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Transformers: The Last Knight - Doubt in Merlin's Abilities Amidst Crisis
KAY: [[King Arthur; [Merlin]
(to ]) Your magician ] cannot help us. We’re outnumbered 100 to 1. How are we going to get out of this?
KING ARTHUR: [[power]
He promised a weapon: one of great ].
PALOMEDES: [[life]
Arthur, you are my king, and I would lay down my ] for you; but this Merlin is no wizard.
KAY:
He’s a worthless drunkard.
NARRATOR: [[Magic]
] does exist. It was found, long ago, inside a crashed alien ship.
MERLIN:
Hello? Hello! It is I, Merlin! Conjurer of spirits! Master of the magic arts! Is anyone there? (takes a drink from a flask at his belt) It is I, Merlin. The wizard! Remember me?
MERLIN: [[secret; [Money]
No! I kept your ]! Just as I promised! I told no one of your existence; no one! But you have to understand: we Britons are in a desperate fight. End-of-times sort of thing. I mean it. It’s happening down there now, as we speak. It’s awful! Big personalities just sort of clashing, all bloody. I hate to ask, but we need your help. But if I could, for one moment, change this world for the better, I would give up everything; everything! ], drink;–– drinking-money. Look: good men will die without your help. Women. Children. I know your world was destroyed. I’m sorry. But please, don’t let ours die, too. I beg of you.
RED GIANT: [[Dragon]
Guardian Knights: transform! The ] is yours to command.
MERLIN:
O, yes. That would be just the thing. (accepts the staff)
RED GIANT: [[evil]
Protect this staff. One day a great ] will come for it.
KING ARTHUR:
Charge!
NARRATOR: [[sacrifice; [victory]
Without ], there can be no ].
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Transformers: Age of Extinction - Billionaire Faces Unthinkable Chaos and Danger
Joshua Joyce: [Laughing hysterically]
I can’t… This is really happening. A man, me, who is worth over 20 billion dollars is now being chased by CIA assassins. That’s the truth. And in the middle of a robot uprising. And I’m carrying what is, in essence, a tactical nuke. And the great thing is I… The great thing is that I’m… I’m barely feeling any jet lag.
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Transformers: Age of Extinction - Defining Upgrades Against Alien Threats
Joshua Joyce:
Let’s show these alien terrorists what an upgrade looks like.
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Transformers: Age of Extinction - The Shift in Power Dynamics
Joshua Joyce:
We can make you now. Don’t you get it? We don’t need you anymore.
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Transformers: Age of Extinction - Frustration with Creative Limitations in Technology
Joshua Joyce:
I modeled Galvatron after Optimus Prime. Why does he keep looking like Megatron?! Simple coding. ALGORITHMS! MATH! WHY CAN'T WE MAKE WHAT WE WANNA MAKE, THE WAY WE WANNA MAKE IT?! WHY?!
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Burlesque - Confrontation Over Personal Insults Among Performers
Nikki:
What the hell is that waitress doing here? I want that bitch out.
Sean:
And what did she ever do to you?
Nikki:
She said I looked like a drag queen!
Sean:
Well, that can't be the first time that's happened before.
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Burlesque - Welcome to Wonderland: A Name Revelation
Sean:
So, is Ali short for anything?
Ali:
Oh, yeah, it's short for Alice.
Sean:
Alice, hm? Well, welcome to Wonderland.
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The Hunger Games - Peeta's Secret Crush Revealed on Live TV
Caesar Flickerman:
So Peeta, tell me. Is there a special girl back home?
Peeta Mellark:
No. No, not really.
Flickerman:
No? I don't believe it for a second, look at that face! Handsome man like you! Peeta. Tell me.
Peeta:
Well, there, uh... There is this one girl that I've had a crush on forever. But I don’t think she actually recognised me until the Reaping.
Flickerman:
Well, I'll tell you what, Peeta. You go out there, and you win this thing, and when you get home- she'll have to go out with you! Right folks?
Peeta:
Thanks, but I, uh- I don't think winning's gonna help me at all.
Flickerman:
And why not?
Peeta:
Because she came here with me.
Flickerman: [dismayed]
Well, that's bad luck.
Peeta:
Yeah, it is.
Flickerman:
And I wish you all the best of luck.
Peeta:
Thank you.
Flickerman:
Peeta Mellark! District 12!
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The Hunger Games - A Sister's Promise in The Hunger Games
Caesar Flickerman: [''after seeing Katniss’s flaming dress'']
That was really something. Katniss, that was something. That was something. Thank you for that. I have one more question for you. It's about your sister. We were all very moved, I think, when you volunteered at the Reaping. Did she come and say goodbye to you?
Katniss Everdeen:
Yes. She did.
Flickerman:
And what did you say to her, in the end?
Katniss Everdeen:
I told her I would try to win. That I would try to win, for her.
Flickerman:
Of course you did. And try you will. Ladies and gentlemen, from District 12, Katniss Everdeen, The Girl On Fire!
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The Hunger Games: Catching Fire - Johanna Mason Expresses Her Anger and Frustration
Caesar Flickerman:
We have seen a lot of tears here tonight. But I see no tears in Johanna's eyes. Johanna, you are angry. Tell me why.
Johanna Mason:
Yeah, well, yes! I am angry. You know, I'm getting totally screwed over here. The deal was that if I won the Hunger Games, I get to live the rest of my life in peace. But now, you wanna kill me again. But you know what? Fuck that! Fuck everybody who had anything to do with it!
Caesar Flickerman: [s''tartled'']
All right, then. One woman's opinion.
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Conspiracy - Plans for Efficient Labor in Isolation Camp
Adolf Eichmann: [[Heinrich Himmler|Reichsführer Himmler; [w:Auschwitz|Auschwitz]
Now, last summer ] asked me to visit a camp up in Upper Silesia, called ], which is very well isolated, and close to significant rail access. And we are turning that camp into a major center, solid structures, and here's where your Jewish labor comes into play, Herr Neumann: the Jews haul the bricks and they build the buildings themselves. And when the structures are complete, we expect to be able to process 2500... an hour. Not a day, an hour.
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Conspiracy - A Search for Understanding Amidst Oppression
Adolf Eichmann: [to Dr. Klopfer, when asked about how he can speak "Jewish"; pause]
Well, I lived among them, I worked among them, and I picked up a few words; Jewish, Yiddish, not enough to speak. So I went in search of a rabbi. Rabbi means "teacher", I came to find out. Look, may I tell you the Lord's honest truth? So many of our highest-ranking officers, whose responsibility it is to deal with the Israelites, they make no attempt to get inside the Jewish head. I went to visit this rabbi - old man, long beard - in his one-room flat. And when he saw me, his eyes grew as large as hen's eggs. I asked him to teach me his language, and he agreed. He said that he would, but that he would charge me, of course. I applied to my commander for funds, and I was denied; now, I've run into this opposition all my life, so I paid my own money. Very little, not much. And he taught me some vocabulary, letters of the alphabet. But looking back, I realize it was poor judgment on my part, because I could have so easily had the old man arrested, put into prison, and demanded lessons from him, in his cell, free of charge. One day, he had gone out, and was rounded up and shipped off, because he had gone out unadvisedly. And I thought, that's so stupid... why are they so stupid? Didn't he know that I would have protected him? At least until my lessons were complete.
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Conspiracy - Denial of Communication and Authority
Adolf Eichmann: [[Adolf Hitler|the Führer; long pause]
This meeting is not taking place. You are to take no further phone calls from anyone - at all - unless ] calls. And he won't.
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Road to Perdition - A Proposal for Unseen Actions
Michael Sullivan:
I'd like to work for you.
Frank Nitti: [Chuckles]
Well... that's very interesting.
Michael Sullivan:
And in return, I'd like you to turn a blind eye to... what I have to do.
Frank Nitti:
And what is that?
Michael Sullivan:
Kill the man who murdered my family.
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Road to Perdition - A Heated Exchange on Independence and Capability
Connor Rooney:
I can look after myself.
Frank Nitti:
No, you can't! This is the point. You're a big baby who doesn't know his thumb from his dick!
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Conclave - Conflict of Interest in Papal Election
Bellini: [[Richard Nixon]
I could never become Pope on those circumstances. A stolen document, the smearing of a brother cardinal. I'd be the ] of Popes.
Lawrence:
Then stay clear of this; leave it to me. I'm willing to handle the consequences.
Bellini:
You know who's gonna benefit most from this? Tedesco. The whole basis of his candidacy is that the Holy Father led the church to disaster by his attempts at reform. If you reveal this report, it isn't Tremblay's reputation that's going to suffer; it's the Church's. Accusing the Curia of institutional corruption...
Lawrence:
I thought we were here to serve God, not the Curia.
Bellini:
Oh, don't be naive!
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Conclave - Conclave Tensions: The Battle for Unity
Bellini:
If we liberals are not united, Tedesco will become Pope. You have no idea how bad it became, Thomas. The way he and his circle attacked the Holy Father towards the end - the smears, the leaks to the press - it was savage. He fought him every single day of his pontificate, and now that he's dead, he wants to destroy his life's work. If Tedesco becomes Pope, he will undo sixty years of progress.
Lawrence:
You talk as if you are the only alternative, but Adeyemi has the wind behind him.
Bellini:
Adeyemi? Adeyemi, the man who believes that homosexuals should be sent to prison in this world and Hell in the next? Adeyemi's not the answer to anything, and you know it. If you want to defeat...
Lawrence:
Defeat? This is a conclave, Aldo. It's not a war.
Bellini:
It is a war. And you have to commit to a side.
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The Terminal - Acts of Kindness in Unexpected Places
Airport Janitor:
Viktor. Remember us.
Cashier at Discovery:
From the Discovery Store, I want to give you this. It's good luck.
Manager at DutyFree:
A digital camera for cousin Katia.
Manager at DutyFree:
I don't know where you're going, but these will keep your feet warm.
Frank Dixon:
- Everybody in position?
Grand Crew:
- We're here.
Frank Dixon:
Secure the door.
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Easy A - False Rumors and Uncomfortable Conversations
Olive:
Guys, I want you to know that if you hear around town that I have chlamydia, that is totally false.
Rosemary:
Olive, do we need to have the talk again?
Olive:
No. It's just a thing that's going around.
Dill:
You know, nothing you're saying is making me feel any better.
Rosemary:
Not to mention how you have been dressing these past few days. No judgment, but you kind of look like a stripper.
Olive:
Mom!
Dill:
A high-end stripper, for governors or athletes, but a stripper nonetheless.
Olive:
Oh, my God. I'm just trying to mix it up a little. And I have no STDs, I promise you.
Dill:
Oh, that's great. Daughter of the Year.
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Easy A - A Misunderstanding About Relationships and Identity
Dill: [as Olive is tearing up her clothes and making her new outfits]
Is everything alright? It sounds like you're having sex in here...Which can't be true due to the fact that you have a homosexual boyfriend.
Olive: [angry]
He's not my boyfriend!
Dill:
Hey, no judgment. All God's children. It's fine. I was gay once...for a while. No big deal. We all do it. It's okay.
Olive:
Dad, can you just shut the door, please?
Dill:
You all right, buddy?
Olive:
Yeah.
Dill:
Give them hell.
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The Devil Wears Prada - Navigating Workplace Challenges and Criticism
Andrea:
She hates me, Nigel.
Nigel:
And that's my problem because... Oh, wait. No, it's not my problem.
Andrea:
I don't know what else I can do because if I do something right, it's unacknowledged. She doesn't even say thank you. But if I do something wrong, she is vicious.
Nigel:
So quit.
Andrea:
What?
Nigel:
Quit.
Andrea:
Quit?
Nigel:
I can get another girl to take your job in five minutes... one who really wants it.
Andrea:
No, I don't want to quit. That's not fair. But, I, you know, I'm just saying that I would just like a little credit... for the fact that I'm killing myself trying.
Nigel:
Andy, be serious. You are not trying. You are whining. What is it that you want me to say to you, huh? Do you want me to say, "Poor you. Miranda's picking on you. Poor you. Poor Andy"? Hmm? Wake up, six. She's just doing her job. Don't you know that you are working at the place that published some of the greatest artists of the century? ], ], de la Renta. And what they did, what they created was greater than art because you live your life in it. Well, not you, obviously, but some people. You think this is just a magazine, hmm? This is not just a magazine. This is a shining beacon of hope for... oh, I don't know... let's say a young boy growing up in ] with six brothers pretending to go to soccer practice when he was really going to sewing class and reading Runway under the covers at night with a flashlight. You have no idea how many legends have walked these halls. And what's worse, you don't care. Because this place, where so many people would die to work you only deign to work. And you want to know why she doesn't kiss you on the forehead and give you a gold star on your homework at the end of the day. Wake up, sweetheart.
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The Devil Wears Prada - The Illusion of Inner Beauty in Fashion
Nigel:
Yes, because that's really what this whole multibillion-dollar industry is all about, isn't it? Inner beauty.
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Beauty and the Beast - Musical Chaos in Beauty and the Beast
Maestro Cadenza:
Ha ha! Such sweet music! Stand back!
Clothilde:
Silence that harpsichord!
Maestro Cadenza:
Wha--uh-oh...
Madame de Garderobe:
MAESTRO?
Maestro Cadenza: [overjoyed]
DARLING! AT LAST!
Madame de Garderobe: [climbing onto the balcony's railing; hitting an extremely high note]
I'm coming, my love! This is it: the FAT LADY IS SINGING! AAAAAAAAAAAAAAAHHHHHHHHHH!
Maestro Cadenza:
BRAVISSIMA!
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