Fantasia (1941)

Mickey Mouse: [pulling on Stokowski's coat; panting; whistles to get Stokowski's attention] Mr. Stokowski. Mr. Stokowski! Ha! My congratulations, sir.

Leopold Stokowski: [shaking hands with Mickey; chuckling] Congratulations to you, Mickey.

The Narrator (Deems Taylor): [Closing Lines and Introduction to "[[w:Night on Bald Mountain|Night on Bald Mountain; [w:Ave Maria (Schubert)|Ave Maria; [w:Modest Mussorgsky|Modest Mussorgsky; [w:Franz Schubert|Franz Schubert] ]/]"] The last number on our Fantasia program is a combination of two pieces of music so utterly different in construction and mood that they set each other off perfectly. The first is A Night On Bald Mountain, by one of Russia's greatest composers, ]. The second is ]'s world-famous Ave Maria. Musically and dramatically, we have here a picture of the struggle between the profane and the sacred. Bald Mountain, according to tradition, is the gathering place of Satan and his followers. Here on Walpurgis Night, which is the equivalent of our own Halloween, the creatures of evil gather to worship their master. Under his spell, they dance furiously until the coming of dawn and the sounds of church bells send the infernal army slinking back into their abodes of darkness. And then we hear the Ave Maria, with its message of the triumph of hope and life over the powers of despair and death.