The Soviet

An industrial city with a dead and dying population smog and tungsten light an historical apartment wherein Amos a failing filmmaker fucks and fights with his common law girlfriend Val about rejection letters and Pete Seeger Blackout curtains pinned to the windows hide our reflections Amos brother Andrew reads a screenplay the director bears witness to a world whole in sickness and in health a body of work defined by the presence of no body whatsoever the director sees a band but misses the point trapped in miseenscene the past and or the present or no history at all make communion with an affirming or a condemning moment of action a hotspot beach for murders the edge of a bridge in the morning sunrise where the water wrestles itself a ferry docks in the distance Where have all the flowers gone