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Mackenzie's film could almost use one or two lurid touches in place of its stately distance. Then again, a more stylized approach might have allowed less room for Richardson, whose unsparing performance makes other elements almost irrelevant.Full Review
It's an overwrought Gothic melodrama that has a nice first act before it descends into shameless absurdity.Full Review
McKellen's actions are queerly unpredictable (pun intended), but every plot other twist is portentously foreshadowed.Full Review

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