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As a director, Cassavetes is a keen observer of character and social interaction but not yet much of a visual stylist (which might also describe the improvisational dramas made by her actor/director father, John).Full Review
As charmingly verklemmt New York women with bad luck in men and good luck in apartments go, Nora Wilder in Broken English has all the breaks.Full Review
A well-acted, smartly directed film that's depressing because it could have amounted to so much more. It departs from the studio-financed romantic-comedy template in just one, unfortunately fatal respect: it makes a point of pride out of rejecting clich, then swoons into its embrace.Full Review
Demonstrating that the apple doesn't fall far from the tree, the screenwriter-director has delivered a well-observed film boasting highly realistic performances and dialogue, if not plot elements. But it's Posey's fascinating portrayal of a thirtysomething Manhattan single woman looking for love that lifts the film above its "Sex and the City" predictabilities.Full Review
A pitch-perfect lead performance by Parker Posey and debuting feature writer-helmer Zoe Cassavetes' deft, low-key approach raise Broken English a couple notches above the usual run of lonely-single-woman-seeking-romance-in-the-big-city yarns.Full Review
