Freeman's nuanced acting is a marvel. show more
Beresford is able to move us, one small step at a time, into the hearts of his characters. He never steps wrong on his way to a luminous final scene in which we are invited to regard one of the most privileged mysteries of life, the moment when two people allow each other to see inside. show more
Driving Miss Daisy, about the deepening relationship between a Jewish matron in Atlanta and her black chauffeur, is a luminous joy of a film, heartbreakingly delicate, effortlessly able through indirection to invoke the civil rights era without ever once slipping into portentous pronouncements. [12 Jan. 1990, p.35] show more
What a treasure this movie is! The gentleness of all concerned make this slice Southern history glow. I never tire of seeing this fine film.
I think this movie is wonderful and brilliant! Two people become the most unlikely of friends; Hoag(Freeman), is an african american Boolie Werthan (Akroyd) hires to chauffeur his mother around.Daisy (Tandy) is someone set in her ways.She likes to do things herself; In the time of slavery and prejudice,we see hatred and cruelty.Hoag and Daisy go driving,,when police question why a 'black man" would chauffeur a Jewish belle around; We also note the bombing of Daisy's temple of worship.The saddest scene, is when Daisy's maid Aidella (Esther Rolle) collapses in front of the TV from a heart attack.Through the seasons,the two bond together and share chats and comfortable Friendship. Bravo and hats off, for the fine performance.