K

Kirsten Dunst Quotes

Actor
Roofman - Channing Tatum and Kirsten Dunst Stand Outside
Roofman - Channing Tatum and Kirsten Dunst Scene

Memorable Quotes from Kirsten Dunst

92 quotes
A Second Chance with Unlucky Clothes
Claire Colburn I'm wearing these clothes. I mean... Have you ever had unlucky clothes? This dress that you like? Good things have not happened to me in this dress. But I saw it tonight and I said: "I'm gonna give you one more chance." And I refuse to be let down by this dress again.
Nostalgia and Friendship in Childhood Memories
Young Sarah Whittle I'm starting to forget what it's like to be a grown-up.
Young Alan Parrish That's okay. As long as we don't forget each other.
Young Sarah Whittle Or Judy and Peter. Alan, there's something I've been wanting to do and I better do it before I feel too much like a kid.
[She kisses him]
Young Alan Parrish They probably don't teach driver training in the sixth grade, huh?
Sarah Whittle Merry Christmas. Wanna try one of these?
Alan Parrish No, Dad. It's a new cross-trainer. It's doing fabulous. It's not a bra. It's a shoe.
[on the phone, to Sam]
Sarah Whittle Honey, they're here.
Alan Parrish Dad, I gotta run. Merry Christmas. We'll pick you up at the airport. You'll be the best Christmas gift of all. Bye-bye. Bye-bye. They're here.
Sarah Whittle Come on. Let's go.
Alan Parrish Pardon me. Jim, glad you could make it.
Jim Shepherd Thanks. This is my wife, Martha.
Alan Parrish Hi, Martha. This is Sarah.
Martha Shepherd Hi, Sarah.
Jim Shepherd Where are the kids?
Alan Parrish Oh, my God, there they are.
Martha Shepherd How'd you know?
Sarah Whittle A guess. A guess, of course. They're your kids.
Jim Shepherd You're right. These are our children. Judy and Peter. Kids, say hi to Mr. and Mrs. Parrish.
Peter Shepherd Nice to meet you.
Judy Shepherd Nice to meet you.
Alan Parrish You're just like we remembered you. I feel like we know so much about them because, you know--
Sarah Whittle You've told Alan so much about them.
Alan Parrish And I told her.
Alan Parrish I'll go get the presents.
Sarah Whittle Sure, honey. Well, we love children.
Alan Parrish Merry Christmas.
Alan Parrish So, when can you start?
Jim Shepherd Well, actually, Martha and I were thinking of taking a little skiing holiday in the Canadian Rockies.
Alan and Sarah No!
[all chatter stops]
Alan Parrish Sorry. We-- We just--
Sarah Whittle Need you to get that marketing done on the new line… pronto.
Jim Shepherd No problem. I could probably start next week. That'd be great.
Alan Parrish Let me introduce you to the rest of the folks you'll be working with. Come on in. Our house was your house. Is, anytime you like.
French speaking Girl What's that noise?
Confusion About Relationship Status
Claire Colburn You know, You're always trying to break up with me, and we're not even together.
Drew Baylor I know... We're not?
A Game of Chance and Frustration
Alan Parrish Sarah!
Alan Parrish It's your turn. You can finish if you roll a 7.
Sarah Whittle I can't roll!
Alan Parrish Put the dice in your mouth--
Sarah Whittle Judy! Bring the game! Hurry!
Peter Shepherd Judy! Judy, are you okay?
[Peter chops the poisonous plant in half with the axe]
Judy Shepherd I'm fine. Help them.
[pulls out the barb]
Sarah Whittle Come on, Judy. Gimme the dice! "You're almost there with much at stake, but now the ground begins to quake.
[puts them in Sarah’s mouth and she spits them out onto the game.; the mansion is separating]
Sarah Whittle Oh, my God!
Alan Parrish What?
Judy Shepherd I wish Mom and Dad were here.
[the barb has injured Judy]
Peter Shepherd So do I.
Alan Parrish Our only chance is if we finish the game!
Sarah Whittle It's your turn!
Alan Parrish Oh, my God. Get the game! The game!
Sarah Whittle No, I won't let you go! Alan!
Van Pelt Don't move! Stand up. What's in your hand? Drop it. End of the line, Sunny Jim. Game's up. Stop running.
[Alan grabs the two dice; Alan does so; pauses; to Alan's hand in two dices; Alan drops the dice onto the game, but the other dice falls into the crack below]
Van Pelt Aren't you afraid?
Alan Parrish I'm terrified. But, my father told me, you should always face what you're afraid of.
[The dice keep rolling into the fissure]
Van Pelt Good lad. You're finally acting like a man. Any last words?
[laughs]
Negotiation Turns Hostile in Small Soldiers Scene
Phil Fimple Hi! I'm Phil Fimple. I'm here to negotiate the surrender of the, uh... ]. Now here's our proposal: take them!
[[w:Gorgonzola|Gorgonzolas]
Insaniac Hey! He's selling us down the river! The guy's a regular ]
[listening from inside; [w:Benedict Arnold|Arnold Benedict!]
Phil Fimple I mean, switch em off, take em apart, steal their batteries, whatever it is you... people do. Hey... is that my JVC?!
[notices speakers covered by a net]
Chip Hazard There will be no surrender! There will be no mercy! All Gorgonite scum must die!
Link Static Yeah! Bomb em all the way back to preschool!
Chip Hazard Recon estimates Gorgonite scum strength at 16!
Christy Fimple Sixteen? Where'd they get sixteen from?
Larry Benson Seven Gorgonites and nine people.
Phil Fimple Well, you heard our proposal...
[nervously]
Stuart Abernathy Phil, get in here! Hurry!
[opening the door]
Chip Hazard These negotiations are over!
Chip Hazard We are the Commando Elite! Everything else... is just a toy!
Alan Abernathy What are they doing?
Irene Abernathy Psychological warfare.
Christy Fimple The Marines did this against ].
[[w:Manuel Noriega|Noriega]
Marion Fimple Phil? Phil!
Phil Fimple What?
Marion Fimple I love this song!
Clarifying a disputed tennis call.
Lizzie Bradbury What are you talking about. The chalk flew up there's a mark right there.
The Burden of Beauty Standards
Verena Von Stefan Right. Just imagine, we'll have to wash our hair every night. We'll have to sleep on rollers til our scalps bleed. Then we'll have to get up at six every morning for the comb out. Your lungs will be lined with hairspray. Then you need all this equipment to push up the tits and blitz the zits and spray the pits! Then you stagger into class and you look perfect but you're exhausted, you're too tired to even think but that's okay the teachers they won't call on you anyway, also you don't want to be smarter than the boys. They don't like that, so to wake yourself up you drink some coffee at lunch but don't eat the food. You'll be on a permanent diet!
The Comfort of Companionship
Rose Gordon What is it, George?
George Burbank I just want to say... how nice it is not to be alone.
Unexpected Sightings in a Busy Scene
Sarah Whittle Thank you. Come on.
Judy Shepherd What's going on?
Sarah Whittle Apparently there's a sale happening. You just saw three monkeys go by on a motorcycle, didn't you?
[monkeys on a police motorcycle ride by]
Sarah Whittle Good girl. Come on. Well, maybe we can bail him out with a check.
[they go up to an ATM but discover it's out of service]
Van Pelt Thanks. You tell that sniveling coward from me, if he wants-- Hey! Get out of my way! Give me that, boy!
[takes the game back]
Peter Shepherd Hey! Help me! Get me outta here!
[Peter is trapped in a car due to a rhino crushing it]
Sarah Whittle It's all right.
Judy Shepherd Oh, my God, Peter.
Sarah Whittle Come on.
[They run to Sir Sav-a-Lot.]
Judy Shepherd There it is!
[spots the game on a counter]
Sarah Whittle Wait here.
[she goes to retrieve it]
Van Pelt Got ya, girlie. When Alan hears of your predicament, he'll come.
[catches Sarah]
Sarah Whittle He doesn't know I'm here, so this isn't gonna work. I'm going.
Van Pelt Don't move or I'll blow your blinking brains out!
Sarah Whittle Call the cops!
Van Pelt That should do it, don't ya think?
Sarah Whittle Oh, yeah.
Judy Shepherd Price check!
[uses the scanner to temporarily blind Van Pelt]
Alan Parrish If you let me go, I can stop all this. It sounds like something out of the Twilight Zone, but it's true. Please. You gotta help me on this.
Carl Bentley I know I'm gonna regret it. Just hold still. There. I let you go. Now what are we gon’ do?
[removing the handcuffs; throws the handcuff keys and handcuffs Carl to the door]
Alan Parrish You are gonna stay here.
Carl Bentley Those are my keys!
Alan Parrish It's for your own good. You just stay there.
Carl Bentley My handcuff keys. Wait.
Alan Parrish This is something I have to do.
Carl Bentley Alan!
Alan Parrish You'll thank me someday.
Carl Bentley Lorraine, come in. Lorraine!
Alan Parrish What's Sir Sav-a-lot?
Carl Bentley It's a discount store.
Alan Parrish Move over.
Carl Bentley Wait. Gently.
Alan Parrish All right. Don't worry. I've done this before once.
Alan Parrish Where's Sir Sav-a-Lot?
Carl Bentley Monroe and Elm.
Alan Parrish The Episcopal church.
Carl Bentley No, it's not a church anymore. Now it's a Speedy Burger, or at least it was. I don't know what's left of it. People in this town are goin loopy.
Alan Parrish We got company.
Carl Bentley It's all right. That's a traffic cop. He'll back us up.
[The same monkeys from before ride up]
Judy Shepherd Here's the game.
Sarah Whittle Come on. Get outta here.
Waiting for the School Bus
Aunt Nora If I get held up at the permit office, I'll give you a call. School bus should be here any minute. You guys still have your house keys? You guys listening to me? Hello? Hello?
Aunt Nora Maybe I should wait with you till the bus comes. Did your parents used to put you on the bus?
Judy Shepherd No. No.
Aunt Nora Are you sure? I could drop you off.
Judy Shepherd No, don't worry about us. The bus'll be here any minute.
Aunt Nora Okay. Please be good today.
Judy Shepherd You do hear it.
Peter Shepherd Hear what?
Judy Shepherd Where's it coming from? Wow. Let's bring it over here.
[her and Peter run up to the attic and pull out the game]
Peter Shepherd Weird. They're stuck.
Judy Shepherd Jumanji. A game for those who seek to find a way to leave their world behind. You roll the dice to move your token. Doubles get another turn. The first player to reach the end wins." It's gotta be microchips or something.
[Peter takes two more tokens, Obsidian Crocodile and Jade Monkey, inside the drawer. As he examines the other two Tokens, they were automatically pulled to their starting points.]
Peter Shepherd You go first.
Judy Shepherd Okay. Six. "A tiny bite can make you itch, make you sneeze, make you twitch.
[rolls 6; she witnesses the crocodile game piece moving six spaces]
Judy Shepherd Don't!
Peter Shepherd This will not be an easy mission; monkeys slow the expedition.
Judy Shepherd What is that?
Confronting Prejudice and Language Choices
Betsy Jobs You kicked Checkers, you're prejudiced, and you have a potty mouth!
[To Richard Nixon]
A Love Bound by Immortality and Hatred
Claudia Locked together in hatred. But I can't hate you, Louis. Louis, my love. I was mortal till you... gave me your immortal kiss. You became my mother and my father. And so I'm yours forever. But now it's time to end it, Louis. Now it's time to leave him. He will never let us go.
[''Puts arms around him'']
A Question of Love and Commitment
Mary Jane Watson Do you love me or not?
Understanding People in a Complex World
Claire Colburn I don't know a lot about everything, but I do know a lot about the part of everything that I know, which is people.
Dreams Beyond Finishing School Expectations
Verena Von Stefan In the D.A.R., we all share our most secret dreams of what we want to be. You see, most of the girls here at Miss Godard's, they've got all the opportunities to become something: a good upbringing, a great education, they're loaded. But in ten years they'll all be married with three kids and two cars and a Colonial and a collie—they're finished. That's why it's called a finishing school. But we—the D.A.R.—have other plans for ourselves.
[explaining the purpose of the D.A.R.]
Flag Etiquette and Legal Boundaries
Betsy Jobs Isn't it against the law to cut up the flag?
Arlene Lorenzo Not if you sew it back together.
Earth's Nature and the Absence of Grief
Justine The Earth is evil. We don't need to grieve for it.
Embracing change and letting go of traditions
Verena Von Stefan No more little white gloves.
Empowerment Amidst Dismissal of Youth
Arlene Lorenzo How dare those people treat us like we're stupid teenage girls.
Betsy Jobs We are stupid teenage girls.
Arlene Lorenzo No. We're human beings, and we're American citizens. And four score and seven years ago our forefathers... did something. I don't know what. But I do know one thing - Dick's ass is grass!
Empower Yourself Beyond External Control
Betsy Jobs You can't let Dick control your life!
[Shouting, to Arlene]
Reflecting on Problems and Their Answers
Claire Colburn I spend so much time thinking about all the answers to the problem ... that I forget what the problem actually was.
A Fond Farewell to Intimacy
Claire Colburn I'm going to miss your lips. And everything attached to them.
Unexpected Revelations about Deep Throat's Identity
Bob Woodward You're Deep Throat?
Betsy Jobs We both are.
Bob Woodward How old are you?
Bob Woodward Is that your combined ages?
Betsy Jobs Ugh, there's no need to be snotty!
[takes off her sunglasses]
The Mystery of "They" in Conversations
Claire Colburn What they say is that it will hit you. Could be ten minutes or ten years from now. So it's good that you talk about it, or don't talk about it... we have talked about it.
Drew Baylor I've always wondered something... who are "they"?
Claire Colburn You know... "Them
Drew Baylor Them?
Claire Colburn The inimitable collective, "them".
Drew Baylor And who says we have to listen to "them"?
Claire Colburn THEY" do!
Confrontation Over Tradition and Academic Responsibility
Betty Warren: Don't disregard our traditions just because you're subversive.
Katherine Watson Don't disrespect this class just because you're married.
Betty Warren Don't disrespect me just because you're not.
Katherine Watson Come to class, do the work, or I'll fail you.
Betty Warren If you fail me, there will be consequences.
Katherine Watson Are you threatening me?
Betty Warren I'm educating you.
Katherine Watson That's my job.
Meeting for a Sunrise Encounter
Claire Colburn Hey, you're only 45 minutes away. You wanna meet halfway and see the sunrise? At this point it's probably easier to stay up!
Drew Baylor You think so?
Claire Colburn I think that's what "they" say!
Missed Opportunity for a Workout
Lizzie Bradbury Too bad, you could have used the workout.
Claudia's Desire for Connection and Possession
Claudia You have found your new companion, Louis! You will make me mine!
Unexpected Call in Jumanji's Tense Moment
Answering Machine Leave a message and the doctor will call you back at his earliest convenience.
Sarah Whittle Dr. Boorstein. Sarah Whittle calling. If you could call me back as soon as you can, I think I need to have my dosage checked. That event we've been discussing for a long time now the one that didn't really happen-- I'm havin an episode here with the little boy that didn't really disappear. I'm sittin in his living room... drinkin lemonade. If you could call me, I'd really be interested in your interpretation. Thank you so much. He'll call me back ten minutes before the hour.
Alan Parrish While we're waiting--
[Alan pulls Jumanji out]
Sarah Whittle Whoa, God!
Alan Parrish Sarah!
Sarah Whittle No, no, no, no!
Alan Parrish Sarah, please!
Sarah Whittle I have spent over 2,000 hours in therapy convincing myself that that doesn't exist. See, what happened to you was so awful I made up that whole thing.
Alan Parrish Sarah, it was awful. It was awful. It was awful, it really was.
Sarah Whittle Am I crazy?
Alan Parrish But it was real. Real.
Sarah Whittle No, no, no, it wasn't real, Alan. Your father murdered you and he chopped you up into little pieces.
Alan Parrish Sarah, come on. My dad did that? My father could barely hug me, let alone cut me into little pieces. Twenty-six years ago., we started playing a little game. And now we're all gonna sit down, and we're gonna finish it. And guess what? Your turn.
[scared; tries to give dice to Peter but fails]
Alan Parrish Play the game, Sarah.
Sarah Whittle Oh, no, no, no.
Alan Parrish All right. Just gimme the dice and you can go home. You don't have to play.
Sarah Whittle Thank you, Alan.
Sarah Whittle Oh, my God! How could you do that?
Alan Parrish It's the law of the jungle, Sarah. You'll get used to it.
Sarah Whittle And I think of all the energy I spent visualizing you as a radiant spirit.
Judy Shepherd Go on, read it.
Sarah Whittle They grow much faster than bamboo. Take care or they'll come after you.
Alan Parrish Oh, great.
Sarah Whittle Oh, God. Tell me this isn't happening.
Alan Parrish Oh, it is. Stay away from the walls. Don't touch anything. No quick movements.
Judy Shepherd Wow, they're beautiful.
Alan Parrish Oh, yeah, they're beautiful. Don't touch the purple ones. They shoot poisonous barbs. And definitely stay away from the pods. The big yellow ones.
Sarah Whittle What big yellow ones?
Alan Parrish Peter! I got ya! Get his arms!
Peter Shepherd Get it off me!
Sarah Whittle Oh, my God! Hang on, boy.
Alan Parrish Grab him! I'll be right back.
Sarah Whittle Oh, my God!
Alan Parrish Sorry, Angus. Whoa. Harvest time!
[breaks the sword case and unsheathes the sword; cuts the vine of the plant, freeing Peter]
Sarah Whittle Are you okay?
Memorable Yet Elusive Identity
Claire Colburn I'm impossible to forget, but I'm hard to remember.
Embracing Failure and Artistic Resilience
Claire Colburn So, you failed.
Drew Baylor No, you don't get it.
Claire Colburn All right, you really failed. You failed, you failed, you failed. You failed, you failed, you... You think I care about that? I do understand. You're an artist, man. Your job is to break through barriers. Not accept blame and bow and say thank you, I'm a loser, I'll go away now. Oh, Phil's mean to me, whaa, whaa, So what.
Drew Baylor I don't cry.
Claire Colburn You want to be really great? Then have the courage to fail big and stick around. Make them wonder why you're still smiling. That's true greatness to me. But... don't listen to me, I'm a Claire.
Self-Doubt and Perception in Relationships
Claire Colburn Do you ever just think I'm fooling everyone?
Drew Baylor You have no idea.
Awakening to Life's Possibilities
Claire Colburn I think I've been asleep most of my life.
Drew Baylor Me too.
A Mother's Love for Her Daughter
Marie Antoinette Poor little girl. You are not what was desired, but you are no less dear to me. A boy would have be the Son of France. But you, Marie Thérèse, shall be mine.
[to her first-born, a daughter]
Debate Over Unseen African Bats
Exterminator I don't see any guano.
Judy Shepherd He said it looked like that.
[consulting a book]
Exterminator That's an African bat. Some kid said she saw a bunch of those back in the 60s. But we don't get bats like that in New England.
Judy Shepherd But that's what he saw.
Exterminator Well, whatever it was is gone now. Bats aren't what I'd worry about in this house any ways.
Judy Shepherd What would you worry about?
Exterminator Well, personally I wouldn't wanna live in a house where someone was murdered.
Judy Shepherd Murdered?
Exterminator Yep. Little Alan Parrish. I say his father did it. There's a thousand and one places he could have hid the body in this house. Especially if he chopped it up first.
Aunt Nora Hey, up there! You kids don't wanna be late for your first day of school.
Exterminator Not a bat in sight, ma'am.
Aunt Nora Ya hear that? There is nothing to be afraid of in this house.
Aunt Nora I can't believe I have to see your principal after the first day. What am I gonna do? Let's just try to relax and finish our dinner and talk about something else.
Judy Shepherd Well, we found out why you got this house so cheap. Twenty-six years ago, a kid named Alan Parrish used to live here. Then one day, he just disappeared cause his parents chopped him up in little pieces and hid him in the walls.
Aunt Nora Okay, that's it. I'm sick and tired of your lies, young lady, you're ]
[To Judy, putting her foot down; [w:Grounded (video game)|grounded.; Judy gets up and leaves]
Judy Shepherd Fine. There's nowhere to go in this stupid town anyway. And just for your information, that wasn't a lie.
Judy Shepherd Did you hear anything a little while ago?
Peter Shepherd Do you miss Mom and Dad?
Peter Shepherd Liar. If you don't cut that out, they're gonna send you to a shrink.
Judy Shepherd Where do you think they're gonna send you if you don't start talking?
Claudia's Threat of Mortality
Claudia I'll put you in your coffin!
Describing a Mysterious Creature in Jumanji
Carl Bentley Gimme that description again.
[calling dispatch in his cruiser]
Radio I said, red fur and long tail.
Carl Bentley Get down off of my car, please. And get up on the sidewalk.
[Alan jumps up on Carl’s cop car]
Alan Parrish What ] is it?
[[year]
Carl Bentley It was brand new.
Alan Parrish No. What year is it?
Judy Shepherd Uh, 1995, remember?
Carl Bentley You got some I.D.? Oh, let me guess. You left it in your other ] outfit, right?
[[Tarzan (1999 film)|Tarzan]
Alan Parrish Twenty-six years.
Carl Bentley Are you from around here?
Alan Parrish I was! But I've been in Jumanji.
Judy Shepherd Indonesia. He was in the ].
[[w:Peace Corps|the Peace Corps]
Alan Parrish Bentley. Carl Bentley, the Soleman.
[looking at Carl’s badge and whispering to himself]
Carl Bentley Is this man related to you?
[About Alan, still dressed in jungle garb]
Judy Shepherd Yes, sir. He's our uncle.
Carl Bentley Does he always dress like that?
Judy Shepherd Well, yeah, he's a vegetarian.
Alan Parrish Get out of there! Monkeys! Monkeys.
[notices 2 monkeys inside Carl's car; Screeches and makes monkey noises; to Judy, Peter, and Carl]
Carl Bentley Is he all right upstairs?
[Taps at his temple]
Judy Shepherd Uh, he suffered a head injury a few months ago.
Carl Bentley Hey! Hey-- What? Don't you move! Freeze! Hey!
[the monkeys discharge the shotgun and drive away]
Alan Parrish Don't move. Don't move.
Judy Shepherd Hey, wait a minute! Where are you going?
Alan Parrish To find my parents!
Judy Shepherd Come on.
[to Peter; She and Peter follow Alan]
Alan Parrish My dad used to make shoes here. They were the best shoes in New England. Hey! Sorry.
[barges into the office]
Shoe Factory Bum Easy, girl.
[his dog attempts to get up, but he stops her]
Alan Parrish Sorry. Do you know what happened to this shoe factory?
Shoe Factory Bum Yeah, it folded up, like everything else in this town. Hey, it's pretty cold out there. How bout some coffee?
Alan Parrish Why would they close Parrish Shoes?
Shoe Factory Bum Well, when his kid ran away, Sam put all he had into trying to find him. His time, his money. Everything. After a while, he stopped comin to work. He just quit caring. I don't think anybody loved his boy more than Sam did. Here. You're gonna freeze out there.
[gives him some clothes]
Alan Parrish Thank you. Are the Parrishes still around?
Shoe Factory Bum I see em now and then.
Alan Parrish Yeah?
Shoe Factory Bum They're over on Adams Street.
Judy Shepherd Our parents are dead too. They were in the Middle East negotiating peace when--
Peter Shepherd Our dad was in advertising.
[glares at Judy]
Alan Parrish I bet you miss him, huh? Me too.
[Alan places his hat on the headstone and walks away]
Judy Shepherd There he goes again.
Game of Survival in Jumanji
Alan Parrish Come on. Okay, it's my turn. I've got it. Colonel Mustard in the library with a wrench. Clue.
Alan Parrish Beware the ground on which you stand, the floor is quicker than the sand.
Alan Parrish Help me.
Sarah Whittle Okay. Stay calm. Don't struggle. Stay calm.
Alan Parrish I'm calm.
Judy Shepherd Alan! Grab on!
Alan Parrish Pull. Okay, I got it. Pull!
Sarah Whittle Stay calm!
Alan Parrish Come on.
Sarah Whittle Oh, good! I got you.
Alan Parrish Stop giving me things that come apart!
Judy Shepherd There is a lesson--
Sarah Whittle All right.
Judy Shepherd There is a lesson you will learn:
Sarah Whittle I got you.
Judy Shepherd sometimes you must go back a turn.
[the floor becomes quicksand; Sarah tries to pull Alan up, but also gets stuck]
Sarah Whittle Did I hurt you?
Alan Parrish Oh, no.
Sarah Whittle Oh, dear.
Alan Parrish Oh, thank you, Judy. Thank you. That was quick thinking. Sarah and I would like to get out of the floor, so it's your turn, Peter.
Sarah Whittle I thought I lost you again.
Alan Parrish Thanks for stickin around this time.
Peter Shepherd Need a hand while you just wait, we'll help you out, we each have…eight?
Alan Parrish What's that? What is it?
[spiders appear]
Sarah Whittle Nothing. Waah!
Alan Parrish You don't go "Waah!" for nothing.
Sarah Whittle Oh, my.
Alan Parrish Peter! My dad kept an axe in the woodshed. Go get it.
Alan Parrish Hurry! Go, go, go!
Judy Shepherd Sarah!
Aunt Nora Judy? Peter?
Peter Shepherd Aunt Nora, it's me, Peter.
Aunt Nora Oh, God!
[shocked at Peter's appearance and seeing Alan’s legs protruding from the ceiling; she backs into the closet]
Peter Shepherd Sorry, I can't talk right now. I'll explain later.
[locks her in the closet]
A Bold Proposition on the Tennis Court
Lizzie Bradbury Hit this one... and I'll sleep with you.
Debate on Reality of Living Toys
Phil Fimple Is this entire household insane?! He says that toy is alive just because it can move a little? What's next, the ] drops by with a ]
[pointing at Archer; [w:Fairy with Turquoise Hair|Blue Fairy; [w:Talking Cricket|talking cricket?!]
Christy Fimple Dad, he's telling the truth!
Phil Fimple He's brainwashed you, hasn't he? Don't worry, honey. We'll get you the best deprogrammer money can buy.
Slamfist You can't change programming.
[listening in from a shelf]
Marion Fimple Look! Another one...
[still intoxicated]
Alan Abernathy See? I told you they were hiding. It's what they do.
Phil Fimple That's it. Come on, Christy. Timmy, Marion, we're out of here.
Stuart Abernathy Hey, don't be a stranger, Phil.
Irwin Wayfair Hi. Uh, yes, we're with Heartland Play Systems, Consumer Satisfaction. Is there an Alan Abernathy here?
Timmy Fimple That's Alan, right there.
[points at Alan]
Larry Benson How you doing? We understand you acquired some of our fine products.
Irwin Wayfair There's a chance they might be... defective.
Larry Benson But there's no reason to think they could do any harm.
Stuart Abernathy Oh, there's reasons!
Alan Abernathy There is a problem with the Commandos.
Larry Benson Really? What kind of problem? Bear in mind, you will be called into court to support your claim.
Stuart Abernathy YOUR TOYS NEARLY KILLED MY SON!
Irene Abernathy Stuart--
Stuart Abernathy Don't say "calm down"! Calm was killing me. And you! You owe my son an apology!
[to Phil]
Misunderstanding Among Colleagues in Conflict
Nationalist paramilitary 1 White, there's one hung up in there.
Joel Hey! Hey, guys. What’s happening? Guess there’s some kind of misunderstanding here.
Nationalist paramilitary 2 Yeah?
Joel Yes, sir. Those two guys over there, they’re my colleagues.
Nationalist paramilitary 2 What kind of colleagues?
Joel Journalists, sir. We’re actually just... We’re passing through.
Nationalist paramilitary 2 Passing through to where?
Joel ].
[[w:Charlottesville, Virginia|Charlottesville]
Nationalist paramilitary 2 Charlottesville? What’s in Charlottesville?
Joel Good hiking. I hear. Actually we are... no, we’re covering the university campus there. They started the new program. They are re-opening the school, which is a surreal feel good story.
Nationalist paramilitary 2 Mm-hmm. And I guess we all need that. Right?
Joel Yeah.
Nationalist paramilitary 2 This guy is your colleague?
[Referring to Bohai]
Joel Yeah.
Nationalist paramilitary 2 This guy here?
Joel Yes, he’s my...
[Nationalist paramilitary shoots him]
Nationalist paramilitary 2 That guy?
Joel Sir. Just...
Nationalist paramilitary 2 Just what? Just what? You know what?
Joel This... Just, please.
Nationalist paramilitary 2 What?
Joel Just, please. Sir, please. Please. Sure. Yes, speak. Let us... we’re American journalists.
Nationalist paramilitary 2 You told me that already.
Joel Okay, we... We work for ].
[[w:Reuters|Reuters]
Nationalist paramilitary 2 Reuters doesn’t sound American.
Joel It’s a news agency.
Nationalist paramilitary 2 I know what Reuters is. Sir. Okay. I’m just saying... just saying, just what?
Joel We’re American, okay?
Nationalist paramilitary 2 Okay. What kind of American are you? ], ]? What?
[[w:Central America|Central American; [w:South America|South American]
Joel ].
[[w:Florida|Florida]
Nationalist paramilitary 2 Florida? Central? What about you? Where are you from?
Lee Tell him, Jessie.
Jessie ].
[[w:Missouri|Missouri]
Nationalist paramilitary 2 Missouri? The "Show-Me" state, right?
Jessie Yes.
Nationalist paramilitary 2 You know what they call it?
Jessie Yes.
Nationalist paramilitary 2 Why do they call it the "Show-Me" state?
Jessie I don’t know.
Nationalist paramilitary 2 You don’t know? It’s American. It is American. 100 percent. What about you? Where are you from?
[chuckles; to Lee]
Lee ].
[[w:Colorado|Colorado]
Nationalist paramilitary 2 Colorado. Colorado, Missouri. That’s what I’m talking about. It’s American. Who is this guy hiding over here? Hey. Buddy. What’s your deal? Where are you from? Huh? Where are you from? What? You can’t speak? Are you mute? You can’t ]? Yes, you can? Yes, you can. Okay. You open your mouth and tell me where you’re from. Just make sure it’s clear fucking English. Okay? Where are you from?
[[w:English language|speak English]
Tony I’m from... I’m from ].
[[w:Hong Kong|Hong Kong]
Nationalist paramilitary 2 Oh, ]? China.
[[w:China|China; shoots him]
Mary Jane's Refusal to Accept Loss
Mary Jane Watson He's not dead. I don't believe you.
A Question About Wrestling
Lux Lisbon Do you like to wrestle?
Legal Implications of Incest
Betsy Jobs It's called incest, Arlene, and it's against the law.
Perspectives on Gendered Thinking
Claire Colburn Men see things in a box, and women see them in a round room.
Caution Against Unwanted Seating Arrangements
Giselle Levy Whatever you do, don't put the boss's wife next to your husband.
[''in reference to the husband in etiquette class'']
Betty Warren Why not?
Giselle Levy She's screwing him.
Embracing the Beauty of Melancholy
Claire Colburn I want you to get into the deep beautiful melancholy of everything that's happened.
The Uncertainty of Readiness in Jumanji
Judy Shepherd Ready?
Judy Shepherd Alan, ready?
Alan Parrish There is no "ready.
[Judy rolls the dice. Nothing happened]
Judy Shepherd I'll try it again. It's not working.
[Judy rolls the dice again. Nothing happened]
Alan Parrish Oh, no. It's not your turn.
Judy Shepherd Yeah. I rolled first and then Peter twice cause he got doubles, and now it's my turn again.
Alan Parrish No, look. Two of those pieces are yours, right? Whose are the other pieces? The elephant was mine. You're playing the game I started in 1969. I'm gonna have to play. It's not my turn.
Judy Shepherd Whose turn is it?
Alan Parrish Sarah Whittle. This is where she used to live.
[All 3 walk up to a Tudor-style house]
Peter Shepherd This place gives me the creeps.
Alan Parrish We used to play on this porch. I knew she still wouldn't live here. Probably married Billy Jessup and they're living in a trailer park. Come on, let's go.
Judy Shepherd Maybe she'll know where Sarah went.
Peter Shepherd Of course she'll know where Sarah went. She's a psychic.
Alan Parrish Good point. I remember the porch being bigger.
Judy Shepherd Hello? Um, can you help us?
[knocks on the door]
Sarah Whittle Do you have an appointment?
Judy Shepherd No, we're just trying to find someone.
Sarah Whittle Madam Serena can't see you right now.
Alan Parrish Maybe you can help us.
Sarah Whittle What is it?
[opens the door slightly]
Alan Parrish We're looking for someone who used to live here.
Sarah Whittle No, I've lived here my whole life.
[shuts the door]
Judy Shepherd Well, then you must know Sarah Whittle.
Sarah Whittle What do you want with Sarah Whittle?
[opens the door]
Alan Parrish Sarah?
Sarah Whittle No, I don't go by that name anymore.
Alan Parrish Sarah Whittle?
[stick his hand in the door]
Sarah Whittle What do you want?
Alan Parrish Twenty-six years ago, you played a game with a little boy down the street. A game with drums.
Sarah Whittle How do you know that?
Alan Parrish I was that little boy, Sarah.
Sarah Whittle Alan...
[she faints]
Peter Shepherd You killed her.
[to Alan]
Eternal Bond Amidst Conflict and Desire
Claudia Locked together in hatred. But I can't hate you, Louis. Louis, my love, I was mortal until you gave me your immortal kiss. You became my mother and my father, and so I'm yours forever. But now it's time to end it, Louis. Now it's time to leave him.
Intelligence and Isolation in Friendship
Betsy Jobs You're the smartest person I know.
Arlene Lorenzo But you don't know anybody...
Seeking Independence and New Beginnings
Betty Warren Ms. Watson, can you get me in touch with your friend at Greenwich Village?
Mrs. Warren What do you need at Greenwich Village?
[rudely pulls her to the side]
Betty Warren An apartment. I filed for divorce and since you know I'm not welcome in your house. You remember Giselle Levy. What did you call her? A New York kike, that's it. Well, she and I are going to be roommates.
[confronting her mother]
Giselle Levy Hi. Are you ready?
[going to Betty]
Betty Warren Yeah.
Katherine Watson You ok. Greenwich Village.
[Betty nods]
Betty Warren For a while. Then who knows, maybe law school. Maybe Yale.
Katherine Watson Well, I wouldn't go up against you in any court, anywhere.
[proud of Betty]
The Significance of a Meaningful Kiss
Claire Colburn Most of the sex I've had in my life was not as personal as that kiss.
The Nature of Helping Others
Claire Colburn And so we all became helpers, which I so can't help. I can't help helping.
Understanding Human Complexity and Perception
Claire Colburn Trust me. Everybody is less mysterious than they think they are.
Dolls Engage in Lighthearted Conversation
Alan Abernathy Are you all right?
Gwendy Doll 1 All my make-up is cruelty-free!
Gwendy Doll 2 You come here often?
Gwendy Doll 3 Will you take me to the prom?
Gwendy Doll 4 If you can't accessorize, pulverize!
[wielding blades]
Gwendy Doll 5 You've been a bad boy! And now you must be punished!
Gwendy Doll 6 Watch out, girls! Hissy fit!
Gwendy Doll 5 You're to die for!
[still threatening Alan]
Gwendy Doll 7 Run! She's got a baton!
Gwendy Doll 8 It's a ]
[[w:Bataan Death March|Baton Death March!]
Gwendy Doll 9 She's gone postal!
Gwendy Doll 10 Oh, I broke a nail...
Christy Fimple I ALWAYS HATED THESE THINGS!
Gwendy Doll 11 Oh, the humanity!
Mary Jane Demands to Be Heard
Mary Jane Watson Hey! Hey! ( loud whistle blowing at once ) I'm talking to you! You got what you needed for your little science project, now, let me go.
Consequences of the Jumanji Game Revealed
Judy Shepherd I bet those monkeys came from the game. The mosquitoes too. Uh-oh. I didn't see this part. "Adventurers beware." "Adventurers beware. Do not begin unless you intend to finish. The exciting consequences of the game will vanish only when a player has reached Jumanji and called out its name.
[she and Peter run back up to the attic; Reads; The monkeys convene on the front lawn and then split up to go in opposite directions]
Peter Shepherd The monkeys are gone.
Peter Shepherd Put it away.
[Peter starts putting the game away but Judy reminds him]
Judy Shepherd Wait! The instructions say if we finish the game, it'll all go away. We better do it, or Aunt Nora's gonna pitch a fit. We should just get through it quickly. I mean, there's no skill involved. No, you rolled doubles. You get another turn. Roll!
Peter Shepherd Five. "His fangs are sharp. He likes your taste. Your party better move poste haste.
[The monkey token moves 5 spaces]
Judy Shepherd I don't like the sound of that.
Peter Shepherd Judy, someone's in here.
Judy Shepherd It's not real, Peter. It's a hallucination. Run, Peter!
[The lion roars and chases both children out of the attic]
Alan Parrish Aah! I'm back. My bike.
[sniffs and opens the closet door in Judy and Peter screams]
Alan Parrish Somebody roll a five or an eight?
Judy Shepherd He did.
Alan Parrish Oh, thank you! Thank you! Thank you! Thank you! Thank you. Sorry if I scared you. Sorry if I scared you. Thank you. I'm back! Mom! Dad! I'm home! I'm back! It's me! It's me, Alan, Mom and Dad! I'm home! I'm back. Are you my little sister?
Judy Shepherd No. I'm Judy and he's Peter.
Alan Parrish Where's Mom? Is Dad at the factory?
Judy Shepherd Are you Alan Parrish?
Alan Parrish Yeah. Who are you?
Judy Shepherd We live here now.
Alan Parrish Where's my mom and dad?
Judy Shepherd We don't know. This house has been empty for years. Everyone thought you were dead. Sorry.
Choosing the Right Place to Play
Sarah Whittle Shouldn't we play someplace else?
Alan Parrish No. I grew up in this. It's out there that scares me.
Sarah Whittle Okay, it's my turn.
Judy Shepherd Sarah, if you roll a 12, you win.
Sarah Whittle Okay, ready? Here I go.
Alan Parrish It's okay.
Sarah Whittle Every month at the quarter moon, there'll be a monsoon… in your lagoon." Monsoon. Well, at least we're inside.
Alan Parrish Yeah, right.
Sarah Whittle Well, a little rain never hurt anybody.
Alan Parrish Yeah, but a lot could kill ya. Come on. Make way.
Sarah Whittle What do we do now?
Alan Parrish We get to higher ground!
Alan Parrish Come on! Stay together! Peter! You all right, Peter? Judy!
[a crocodile suddenly appears]
Alan Parrish What?
Saran Whittle What is that?
Alan Parrish Ah! Swim! Go! Go!
Alan Parrish Judy, swim fast! Move! Keep goin'! Get on the table! Peter, get out of the water! On the chandelier! Come on, Sarah.
Judy Shepherd Peter!
Alan Parrish Hang on, Sarah!
Judy Shepherd Are you okay?
Sarah Whittle Where is he? Alan!
Aunt Nora Judy! Peter!
Carl Bentley Ma'am, step back and let me handle this, please. It's probably nothing. They probably left the TV on too loud.
Aunt Nora Peter! Judy!
Carl Bentley I always wanted to do this. Could you step back, please?
[kicks the door. The pressure from the water blows the doors off and they are surfing down the street on the doors as a crocodile swims next to them]
Alan Parrish Alan, give me your hand.
Peter Shepherd Grab my hand!
Alan Parrish I got it! No!
Alan Parrish Hey. Take the game. Here you go. You okay?
Sarah Whittle Yeah. Alan, you wrestled an alligator for me.
Alan Parrish It was a crocodile. Alligators don't have that little fringe on their hind leg. Come on.
Sarah Whittle My mistake.
Misunderstanding a White House Role
Betsy Jobs Are you, like, the President's Dog Walker?
John Dean I'm John Dean. Chief White House Counsel.
Betsy Jobs Oh, That's too bad.
Deciding to Finish the Game Together
Judy Shepherd Listen, I know you're upset and all, but I kinda feel we should finish the game.
Alan Parrish We? Why do you need me?
Judy Shepherd Well, just in case any scary stuff comes out. Plus, there's a lion in my aunt's bedroom. What am I supposed to do about that?
Alan Parrish What do I look like, a Ringling Brother?
Judy Shepherd But she'll be home soon.
Alan Parrish Won't she be surprised. I hope she's not allergic to cats.
Paramedic Larry, we need the wheels. Gimme a hand.
Larry Did we hit her that hard?
Paramedic No, it looks like another one of those weird bites.
Larry It's another one.
Paramedic Geez, that's over 50. What the hell's goin on?
Larry Easy now.
Judy Shepherd Hey, look. Isn't that Mrs. Thomas?
Peter Shepherd Who's that?
Judy Shepherd The realtor.
Alan Parrish Quiet. Listen. You hear that?
Judy Shepherd Hear what?
Alan Parrish Get in the car. Okay, think. What came out of the game before me?
[they get into Mrs. Thomas’ car]
Judy Shepherd There was a lion, a bunch of monkeys--
Alan Parrish It's okay. It's okay. It's just a bug. But we're safe in here. See? We're fine. As long as we stay low, he can't get through there too far. Don't worry. We're fine. Hey, he can't get us in here. He can't get through the glass. We're safe. Either one of you know how to drive? No? Well, that's no problem. Well, my dad used to let me back the car down the driveway once. So, what's the big deal?
[The bug pokes through the celling of the car before landing in the wind shield; The mosquito taps the glass of the wind shield causing it to crack]
Judy Shepherd Buckle up.
[to Peter]
Alan Parrish Here we go! Oh, wait a minute. What-- Wait.
Judy Shepherd Alan, the top!
Alan Parrish Piece of cake. Yeah.
[driving recklessly and hitting a garbage can and mailbox before pulling up to the mansion]
Alan Parrish Keep that thing away from me!
Judy Shepherd When are you gonna help us play? We've gotta hurry. Our aunt's gonna be home soon.
Alan Parrish Well, good. You can inform her that she's the ex-owner of this house. I hope you realize, with my parents gone, this home belongs to me. Oh, thank you. No more banana leaves.
[going into the bathroom and closing the door]
Judy Shepherd What do you think those monkeys are gonna do to the ecosystem around here?
Alan Parrish Just sit right back and you'll hear a tale, A tale of a fateful trip...
[singing]
Judy Shepherd Hello!
[knocking the door]
Alan Parrish That started out on this tropic port aboard this tiny ship, The mate was a mighty sailor man, The skipper brave and sure, five passengers set sail that day for a three-hour tour...
[singing]
Judy Shepherd What happened to you. You shave with a piece of glass?
[sees he attempted to shave and has pieces of tissue covering the nicks]
Alan Parrish What happened to you? The Clampetts have a yard sale? What do you want? I've never shaved before.
Judy Shepherd Where are you going? How bout Peter and I play, and you just sort of watch?
Alan Parrish No, thanks. I've seen it.
[in the kitchen eating an apple over a bowl]
Judy Shepherd So if you're not gonna help us, what are you gonna do?
Alan Parrish I don't know. Pretty much take up where I left off. I wonder if Mrs. Nedermeyer's still teaching sixth grade.
Peter Shepherd Come on, Judy. He's not gonna help us. He's afraid.
Alan Parrish What did you say?
Peter Shepherd You're afraid. It's okay to be afraid. Let's go set it up in the living room.
Alan Parrish No, you have no idea what you're getting yourself into.
Peter Shepherd Whatever it is, we'll handle it by ourselves. We don't need your help.
Alan Parrish I don't think so. You think monkeys, mosquitoes and lions are bad? That's just the beginning. I've seen things you've only seen in your nightmares. Things you can't even imagine. Things you can't even see. There are things that'll hunt you in the night. Then something screams. Then you hear them eat. And you hope to God that you're not dessert. Afraid? You don't even know what afraid is. You will not last five minutes without me.
Peter Shepherd So are you gonna help us?
Alan Parrish I'll watch. But I'm not afraid.
Judy Shepherd Peter, that was very cool.
Peter Shepherd That's reverse psychology. Dad used to pull it on me all the time.
Embracing Joy Amidst Sadness
Claire Colburn Sadness is easier because it's surrender. I say make time to dance alone with one hand waving free.
Performance Anxiety and Reassurance in Relationships
Mary Jane Watson Tell me again. Was I really good? I was so nervous, my knees were shaking.
Peter Your knees were fine.
Mary Jane The applause wasn't very loud.
Peter Yes, it was. Well, it's the acoustics. It's all about diffusion. It keeps the sound waves from grouping. You see when the sound waves, they propogate, then it–
M.J. You are such a nerd.
Seeking a Replacement Weapon
Gun Salesman What can I do for you?
Van Pelt I want a gross of these.
[hands him a bullet]
Gun Salesman You know, they stopped making these in 1903.
Van Pelt Damn. I shall need a replacement weapon.
Gun Salesman Well, there's a waiting period, and you'll have to... fill out these. Or I could fill these out. Louise. Now, anyone asks, you didn't get this here. You're not a postal worker, are you?
[he places a stack of forms on the counter as Van Pelt drops some coins; Louise stops what she's doing and changes the "Open" sign to "Closed".; hands Van Pelt a new gun; Van Pelt looks at the salesman as if to say, "are you crazy"?]
Alan Parrish Quiet. Okay. No!
Sarah and Judy Peter!
Judy Shepherd Peter, that was great.
[Peter has successfully gotten the game back]
Sarah Whittle Are you okay?
Judy Shepherd I can't believe you did that. That was so cool. You gave me chills.
Sarah Whittle It was great. Alan.
Alan Parrish It's nice work. Come on, gimme the game. Let's go.
Alan Parrish Oh, no. Act natural.
[Carl notices Alan]
Alan Parrish Hide the game.
Carl Bentley I don't believe this. Every time there's trouble, I run into you.
Alan Parrish Me? I don't know what you're talking about.
Carl Bentley All right, I'm taking you in for questioning.
[arresting Alan]
Alan Parrish I'm not going anywhere.
Sarah Whittle Just a second. You can't take him. He's--
Judy Shepherd Her fiancé.
Carl Bentley Wait a minute, I thought you said he was your uncle.
Alan Parrish It's all right. I'll be back soon.
Van Pelt Blast!
[fails to shoot Alan]
Sarah Whittle Remember you said you'd never abandon your friends?
Alan Parrish We'll finish the game later. Okay?
Sarah Whittle Later?
Alan Parrish Van Pelt. Van Pelt.
Carl Bentley I suggest you all go home now.
Alan Parrish Okay.
Judy Shepherd Now how are we supposed to finish the game?
Sarah Whittle We can't. We can't finish it without him.
[Has set the game on a stump and rolled the dices; Sarah and Judy run over]
Sarah Whittle What happened?
Peter Shepherd I thought I could end the game myself. I was only ten spaces away.
Judy Shepherd A law of Jumanji having been broken; you will slip back even more than your token.
[Reads a notice in the center of the board]
Sarah Whittle You tried to cheat?
Peter Shepherd No. I tried to drop the dice so they'd land on 12.
Sarah Whittle Oh, okay, honey. Well, that would be cheating.
Judy Shepherd Peter, your hands! Look at your hands!
Carl Bentley What is this about? I know you know.
Alan Parrish Yes, I do, but you wouldn't believe me even if I told you, Carl.
Carl Bentley Wait a minute. How do you know my name is Carl?
Alan Parrish I know a lot more than that. I know you used to work on the stamping line at Parrish Shoes. They used to call you Soleman.
Carl Bentley Soleman. Yeah, that's right. I was in there too, until old man Parrish fired me.
Alan Parrish He fired you?
Carl Bentley Yeah, man. And I had something I could've turned this whole town around.
Alan Parrish Your shoes.
Carl Bentley Right.
Alan Parrish Listen, Carl, I know it doesn't mean much after 26 years, but I'm sorry, I'm sorry.
Carl Bentley Sorry for what?
Alan Parrish It's me, Alan.
[screeches to a halt]
Planning a Bed-and-Breakfast in Town
Mrs. Thomas I think a bed-and-breakfast is just what this town needs.
Aunt Nora Well, it's pretty hard to pass up, especially full of furniture. Oh, boy! I keep forgetting how big this place is. Judy, Peter, come look at this. I'm gonna put a reception area over here. And a bar over here in the parlor.
Mrs. Thomas That sounds lovely. I'm sure you and your kids are gonna be very happy here.
Aunt Nora Oh. Well, actually, they're my late brother's. He and his wife passed away just last winter. Is this something, or what?
Judy Shepherd It sure is.
Mrs. Thomas So, what do you think, young man? Is it big enough for you?
Judy Shepherd Peter hasn't spoken a word since it happened.
Mrs. Thomas Oh, my. I'm so sorry. How terribly awful.
Judy Shepherd It's okay. We barely even knew our parents. They were always away-- skiing in Saint Moritz, gambling in Monte Carlo, safariing in darkest Africa. We didn't even know if they loved us. But when the sheik's yacht went down, well, they managed to write us a really beautiful good-bye note that was found floating in a champagne bottle amongst the debris. Excuse me.
[laughing, shaking her head and walking away as she knowingly told Mrs. Thomas a lie]
Aunt Nora They were very devoted parents. It was a car crash in Canada. So you'll send me those escrow papers?
Mrs. Thomas First thing tomorrow.
Aunt Nora I'll have to get a locksmith out for this one. Peter, pick up your toys, please. Peter, take this suitcase up to the attic. Then we can all have ice cream…and bourbon.
[trying to unlock Alan’s room]
Aunt Nora What? What is it?
Judy Shepherd I'm going to Motel 6.
Aunt Nora Oh, for heaven's sake.
Unexpected News in the Classroom
Mr. Dewey Verena, why are you so late? You've missed an entire period.
Verena Von Stefan You mean I'm pregnant?
[gasps]
Consequences of Anger and Negativity
Sarah Whittle So even if Alan gets out of this, the same kind of thing's gonna happen over and over again. llll When you carry around so much anger, it attracts a lot of negative energy. And things happen, like ending up in the jungle. That was no accident. There are no accidents.
[Alan climbs through a window]
Alan Parrish Whose turn is it?
Judy Shepherd It's my turn.
Alan Parrish Really? Great.
Sarah Whittle You might have told us there was a man in there with a rifle that hunts people.
Alan Parrish Well, I didn't know, okay? It's just a roll of the dice.
Judy Shepherd Is he the reason you didn't wanna play?
Sarah Whittle You didn't wanna play either, Mr. We-Started-Something-26-Years-Ago-and-Now-We've-Gotta-Finish-It? What's the deal with you and this guy?
[Alan, Sarah, Judy, and Peter return to the library Judy picks up the chair]
Alan Parrish He's a hunter. He kills things, that's what he does. And right now, he wants to hunt me and kill me, okay?
Sarah Whittle Why you?
Alan Parrish Why me? I don't know. Everything about me he finds offensive. You'd think it'd be a waste of his time. Maybe he needs something for his wall, you know, a Parrish - something to go between penguin and partridge.
Peter Shepherd It's your turn.
Sarah Whittle Well, have you ever thought about just sitting down and talking about your differences?
Alan Parrish What, are you crazy? The man has a gun.
Sarah Whittle Don't ever call me crazy, Alan. Ever. Cause everyone in this town has called me crazy ever since I told the cops you were sucked into a board game.
Judy Shepherd Maybe I should roll.
Sarah Whittle Do you have any idea what it's like to be known as the little girl who saw Alan Parrish murdered? Do you think anybody showed up at my 14th birthday party?
Judy Shepherd Hello. I'm rolling now.
Sarah Whittle Billy who?
Judy Shepherd I'm gonna roll.
Sarah Whittle Are you an owl?
Alan Parrish Dig into your higher consciousness...
Peter Shepherd Here, just roll.
Alan Parrish and find the memory of your old boyfriend.
Sarah Whittle The kid who stole your bicycle?
Alan Parrish No, the kid who took you to movies.
Judy Shepherd Don't be fooled. It isn't thunder. Staying put would be a blunder.
Alan Parrish No, you're immature.
Sarah Whittle You are. I know you are, but what am I?
Alan Parrish Do you feel that? Listen.
Alan Parrish Run! It's a stampede! The game! Don't look back!
[Everyone runs; Alan grabs the game as a large stampede of Rhinos, Elephants, Zebras and Pelicans bursts from the behind the bookshelves and tears up the house in their rampage]
Alan Parrish Not the game! Why didn't you grab the game, Peter?
[One of the pelicans lands down in the room right in front of them. Alan tries to scare it away, but the bird steals the game and takes flight]
Sarah Whittle Just ignore him, honey. He's a Libra. Where are you going?
[to Alan]
Alan Parrish He'll head for water!
Sarah Whittle Come on.
Judy Sheperd Hello?
[The phone rings; answers it]
Aunt Nora Judy, it's Aunt Nora. Where have you been?
Judy Shepherd I'm sorry, dear. You have the wrong number. : Wait for me!
[in a British accent; Hangs up and resumes her normal voice as she runs after Alan and Company]
Family Secrets and Lasting Impact
Amber Atkins Oh no, my mom never kept a secret of the fact my dad chose his career over us. What was it she used to say? Once a carnie, always a carnie. Mom still cries every time she sees a tilt-a-whirl or a fat lady in a tube top.
The Importance of a Solo Road Trip
Claire Colburn To have never taken a solitary road trip across country? I mean everybody's got to take a road trip, at least once in their lives. Just you and some music.
Questioning Her Existence and Transformation
Claudia Which one of you did it?! One of you did it! Which one of you made me the way I am?!
Confrontation Before the Final Moment
Alex Corvis (The Crow) The jolt - eight amps at two to three-thousand volts. It lasts a few seconds. The current surges and is turned off. And they check to see if the heart is still beating. If it is... Ba-Boom! Another jolt is applied. Experts say unconsciousness occurs before pain has time to register. They agree that electrocution does not hurt. But it does. Unimaginably... Believe me... I... don't expect a call from the governor. Any last words... Captain?
The Captain Yeah, fuck you!
Alex Corvis (The Crow) Was that it?
The Captain I'm not dying for your goddamn illusion, you got that?! You think you and your girlfriend had some rosy future taken from you?! Bullshit! She was already bored! Why do you think she was lookin around?! You're nothing, Corvis! Less than nothing! You can't do this to me, you little fucks! You hear me?! You understand?! I'll be back! Just like you! A big, fucking, shit-spewing bird! And guess which little bitch I'm taking out first!
Erin Randall You are so dead.
[''Alex closes the execution mask over the Captain's face. Erin throws the execution switch. The Captain is violently electrocuted, as Alex watches grimly. Smoke starts to fill the execution chamber. The Captain's forearms swell, blood starts to trickle out. Blood also pours out at his neck; his clothes catch fire, and it quickly spreads around his head. In his eye, now surrounded by burned skin, the crow flies out.'']
Teaching Aspirations in a Conservative Environment
Betty Warren All her life, she had wanted to teach at Wellesley College. So, when a position opened in the Art History department, she pursued it single-mindedly until she was hired. It was whispered that Katherine Watson, a first-year teacher from Oakland State, made up in brains what she lacked in pedigree. Which was why this bohemian from California was on her way to the most conservative college in the nation.
[''voiceover'']
Staunton's Secretary I was in California once. How do you get any work done with all that sunshine?
Katherine Watson We tan in class.
Staying Neutral Amidst Ongoing Conflict
Lee You are aware there's a really huge civil war going on everywhere?
Shop Assistant We usually try to stay out of it. With everything that's been going on, it seems like it's for the best.
Acceptance of Open Communication
Claire Colburn I'm completely cool with anything you want to say or not say.
Presidential Etiquette in Dog Care
Betsy Jobs Checkers pooped.
Rose Mary Woods Girls, the President's dog doesn't "poop." He "does his business.
The Importance of Connection and Togetherness
Claire Colburn Life cannot be so cruel that we don't deserve to be together... to eat.
Claudia's Expression of Anguish and Betrayal
Claudia And here it is. And I hate you both!
The Dilemma of Public Perception and Happiness
Betty Warren She's smiling. Is she happy?
Mrs. Warren The important thing is not to tell anyone.
Betty Warren She looks happy. So, what does it matter?
Mrs. Warren Don't wash your dirty laundry in public.
The Importance of Air in Music
Claire Colburn Some music needs air. Roll down your window.
Claudia's Reflection on Loss and Betrayal
Claudia Snatching me from my mother's hands, like two monsters in a fairytale. And now you weep! I haven't tears enough for what you've done to me.
Judy Questions a Character's Departure
Judy Shepherd Hey, wait a minute! Where are you going?
A Warning Ignored in Times of War
Lee Every time I survived a war zone, I thought I was sending a warning home - "Don't do this". But here we are.
The Importance of Seeking Help
Mary Jane Watson Everybody needs help sometimes, Peter. Even Spider-Man.
Claudia's Rebellion Against Innocence and Evil
Claudia Your evil is that you cannot be evil. And I shall suffer for it no longer!
Making a Choice to Be Alive
Erin Randall In that moment when Alex went, I knew I was making a choice. To be alive in the world. I'm thinking of them hoping that sometimes they're thinking of me.
[''Last lines'']
Annual Meeting of Annual Attendees
Claire Colburn Welcome to the annual meeting of people who annually meet, and we'll see ya'll next year.
Embrace and Move On from Misery
Claire Colburn You have five minutes to wallow in the delicious misery. Enjoy it, embrace it, discard ...and proceed.
Negotiation Over Food and Supplies
Lee 300. For half a tank and two cans.
Pete 300 buys you a sandwich. We got ham... or cheese?
Lee 300 ].
[[w:Canadian dollar|Canadian]
Pete ... Okay.
Family Tensions and Accusations Unfold
Rose Gordon Well, brother Phil, we had such a nice trip.
Phil Burbank I'm not your brother. You're a cheap schemer.
Understanding Perspectives in a Shared Space
Vivian Mitchell Despite what you may think, I have nothing against y'all.
Dorothy Vaughan I know. I know you probably believe that.
Emergency Call to Investigate Suspicious Activity
Carl Bentley Oh, my God! My car. Oh, my car.
[Carl finds his car smashed against a tree]
Carl Bentley I can't believe this. Start. Please.
Carl Bentley Carl here.
Carl Bentley You gotta get Stan and Willy on it. I'm headin to the old Parrish place to check a suspicious character, over. I should've been a fireman.
[backing the car up]
Alan Parrish Sarah!
Sarah Whittle Oh, get your hands off me!
[attempting to run away]
Alan Parrish The game is not over yet, Sarah.
Sarah Whittle Well, it is for me. You are not in the jungle anymore. Stop this! You don't treat people like this.
Sarah Whittle Anybody up for iced tea? I'm gonna make some tea.
[they're all in the library sitting at the table; angrily pushes the sword into the floor]
Sarah Whittle Alan, please. Last time I played this game, it ruined my life.
[Sitting down to play the game]
Alan Parrish It ruined your life? "In the jungle you must wait, till the dice read five or eight.
[laughs]
Sarah Whittle I was a little girl, Alan. You disappeared. And a bunch of bats surrounded me and chased me down the street. I was afraid. I'm sorry, Alan. No one believed me. I was all alone.
Alan Parrish So was I. For 26 years, Sarah.
Sarah Whittle Me too.
Judy Shepherd It's okay, Sarah. We're scared too. But if we finish the game, it'll all go away.
Sarah Whittle What if I get stuck in the game?
Alan Parrish You won't. Because I won't stop playing.
Judy Shepherd And neither will I.
Peter Shepherd I won't either.
Alan Parrish Come on, Sarah.
Judy Shepherd Please?
Sarah Whittle I knew this was gonna be a bad day.
Alan Parrish Hey, come on. We'll be fine. We just have to keep our heads. Roll with the punches.
Alan Parrish A hunter from the darkest wild, makes you feel just like a child.
Sarah Whittle What is it?
Alan Parrish Van Pelt.
Van Pelt You miserable coward! Come back and face me like a man. Not good enough, Sonny Jim. Coming, ready or not.
[Van Pelt chases him down the hallway firing his gun. Alan throws his sword at the hunter, and narrowly misses; He takes the sword off him]
Carl Bentley Hey, you! Drop your gun and get your hands in the air! Man, I don't believe this.
[sees Van Pelt shooting]
The Importance of Questioning and Recording
Lee Once you start asking those questions you can't stop. So we don't ask. We record so other people ask.
A Moment of Connection and Comfort
Justine Close your eyes. Hold my hand.