The new Count moves with the smooth, plastic efficiency of a TV miniseries. Inspiration and originality may be in short supply, but the movie gets the job done. show more
James Caviezel makes us care more about that innocent romantic, Edmond Dantes, than we may care to care about the rest of the picture, which entertains in fits and starts, with startling ruptures in tone.
This delicious adventure of crude betrayal and elegant revenge is yummy even when reheated by director Kevin Reynolds.