Triz

The sensation of being just a hairs breadth away from the blade of the mythical sword of Damocles was so imperative during the entire gestation period of the ballet from Grupo Corpo that it not only became the broad motif but also inspired its name Triz an onomatopoeic term most likely deriving from the Greek trikstrikós hair symbolized in the expression por um triz by a hair In order to stimulate the creation of the soundtrack for Grupo Corpos ballet Lenine himself placed Damocles sword above his own head by constructing a musical topography interlaced with rhythmical subversions a passion from a single leitmotif and using only strings In a work where the occupation of space reflects the diabolical intermittence and guile worked on time by Lenines music the possibility of creating a series of female duos acted as a soothing moment and a pause for breath