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reviews

43
Based on 16 Reviews
critic reviews (10)
fan reviews ( 0 )
  • 40
    Joe Neumaier New York Daily News

    Gandolfini scoops up another chance to show off the gentleness he left at home during six seasons of “The Sopranos.” show more

  • 70
    Kirk Honeycutt The Hollywood Reporter

    It’s a film that doesn’t always work but when it does you almost hear an audible click. Violet & Daisy has its share of these ah-ha moments. show more

  • 48
    William Goss Film.com

    So self-conscious that it alienates the viewer early and often. show more

  • 75
    Mary Houlihan Chicago Sun-Times

    Violet & Daisy won’t be everyone’s cup of tea... But view this as a modern comic book/fairy tale, and it’s easier to accept this saga of girls with guns and the life lessons they eventually confront. show more

  • 63
    Slant Magazine

    A twisted, spirited exercise in stark juxtaposition, a grindhouse fairy tale of sorts that pairs the sugary sweet with the nastily violent. show more

  • 50
    Roger Moore McClatchy-Tribune News Service

    Fletcher and his players never quite hit on a tone that works. Fantastical dream sequences and side trips to the store to get “more bullets” never quite rise to the level of wry commentary. This just isn’t as cute and funny as Fletcher seems to think it is. show more

  • 50
    Matt Zoller Seitz RogerEbert.com

    Gandolfini's quietly magnificent performance is the only reason to see Violet & Daisy. show more

  • 38
    Sara Stewart New York Post

    Predicated almost entirely on the repeated juxtaposition of innocent girlishness and mindless violence, Violet & Daisy could still have been campy fun — instead, it wilts for lack of wit. show more

  • 25
    Rex Reed New York Observer

    This disoriented drivel was written by — and marks the directing debut of — Geoffrey Fletcher, who won an Academy Award for writing "Precious." It’s weird, but not in a good way. show more

  • 40
    Time Out New York

    Deserves some kind of Bizarro World Robert Altman Independent Spirit Award for the Best Ensemble in the Least Interesting Movie. show more

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  • Super (2010)

  • The Art of the Steal (2013)

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