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Ariane Labed

Ariane Labed
Birthday
May 6th, 1984
From
Athens, Greece
Actor

Ariane Labed Biography

Ariane Labed (born May 8, 1984) is a Greek-born French actress and film director. She is best known for her feature film debut in Attenberg, for which she won the Volpi Cup for Best Actress. Born to French parents, Ariane Labed lived her first six years in Athens, then six years in Germany. She arrived in France at 12 years old. Ariane studied at Provence University, (Deust Basic training in theater, Bachelor of Performing Arts and Master Dramaturgy and scenic writing).

where she co-founded the Vasistas theatre company with Argyro Chioti and went on stage with the National Theater of Greece. She made her acting debut in Attenberg, a feature film directed by Athina Rachel Tsangari, for which she was awarded the Volpi cup for best actress at the Venice Film Festival. Ariane went on to feature in a range of French and international projects including Richard Linklater’s Before Midnight, Alice’s Journey by Lucie Borleteau (for which she won Best Actress at the Locarno Festival and was nominated for a César award), The Lobster by Yórgos Lánthimos (winner of the Jury Prize at the Cannes Film Festival) and Assassin's Creed by Justin Kurzel (co-starring Marion Cotillard and Michael Fassbender).

Ariane most recently played the lead role in "Trigonometry", a series for the BBC. Ariane wrote and directed her first short film "OLLA" presented at the Directors' Fortnight at the Cannes Film Festival 2019 and selected in numerous festivals around the world including Telluride, the BFI London Film Festival and Sundance. “OLLA” won the Louis le Prince International Short Film award at the Leeds Film Festival in 2019, as well as 3 awards at the Clermont-Ferrand International Short Film Festival in 2020 including the National Grand Prix prize.

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Ariane Labed Movies

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Ariane Labed Quotes

The Legacy of a Principled Artist

Older Zsofia: My uncle is, above all, a principled artist. His lifelong ambition was not only to define an epoch but to transcend all time. In his memoirs, he described his designs as machines with no superfluous parts, that at their best, at his best, possessed an immoveable core; a "Hard Core of Beauty." A way of directing their inhabitant's perception to the world as it is. The inherent laws of concrete things such as mountains and rock define them. They indicate nothing. They tell nothing. They simply are. Born in 1911 in a small fishing village in Austria-Hungary, László Toth looked out upon the Adriatic Sea. He was a boy with eyes wide open, full of yearning. New borders would eventually rip this expanse of sea away from him but never did he cease to try and fill its void. Forty years later, he survived the camps at Buchenwald, as did his late wife, and myself, in Dachau. His first American masterpiece, the Van Buren institute outside of Philadelphia, remained unfinished until 1973. The building referenced his time at Buchenwald as well as the deeply felt absence of his wife, my Aunt Erzsébet. For this project, he re-imagined the camp's claustrophobic interior cells with precisely the same dimensions as his own place of imprisonment, save for one electrifying exception; when visitors looked 20 meters upwards, the dramatic heights of the glass above them invited free thought; freedom of identity. He further re-imagined Buchenwald and his wife's venue of imprisonment in Dachau on the same grounds, connected by a myriad of secret corridors re-writing their history and transcending space and time so that he and Erzsébet would never be apart again. Uncle, you and Aunt Erzsébet once spoke for me, I speak for you now, and I am honored. "Don't let anyone fool you, Zsófia" he would say to me as a struggling young mother raising my daughter during our first years in Jerusalem, "no matter what the others try and sell you, it is the destination, not the journey." Thank you.

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