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Christopher Plummer

Christopher Plummer
Birthday
December 13th, 1929
From
Toronto, Ontario, Canada
Actor

Christopher Plummer Biography

Arthur Christopher Orme Plummer CC (December 13, 1929 – February 5, 2021) was a Canadian theatre, film and television actor. He made his film debut in 1958's Stage Struck, and notable film performances include The Night of the Generals, The Return of the Pink Panther, Star Trek VI: The Undiscovered Country, The Man Who Would Be King, and The Insider.

In a career that spans seven decades and includes substantial roles in each of the dramatic arts, Plummer is probably best known to film audiences as the autocratic widower Captain Georg Johannes von Trapp in the hit 1965 musical film The Sound of Music alongside Julie Andrews. Plummer has also ventured into various television projects, including the legendary miniseries The Thorn Birds.

In the 21st century, his film roles include The Insider as Mike Wallace, Inside Man with Denzel Washington, the Disney–Pixar 2009 film Up as Charles Muntz, the Shane Acker production 9 as '1', The Last Station as Leo Tolstoy, The Imaginarium of Doctor Parnassus as Doctor Parnassus, The Girl with the Dragon Tattoo as Henrik Vanger, and Beginners as Hal.

Plummer has won numerous awards and accolades for his work, including an Academy Award, two Emmy Awards, two Tony Awards, a Golden Globe Award, a SAG Award, and a BAFTA Award. With his win at the age of 82 in 2012 for Beginners, Plummer is the oldest actor and person ever to win an Academy Award. On February 5, 2021, Plummer died at his home in Weston, Connecticut, aged 91, after suffering complications from a fall.

His family released a statement announcing that Plummer had "died peacefully at his home in Connecticut with his wife Elaine Taylor at his side".

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Christopher Plummer Movies

Christopher Plummer TV Shows

Christopher Plummer Quotes

Concern and Family Dynamics in Dialogue

Simon Wyler: Where's your brother?
Alex Wyler: I sent him away. He wasn't feeling well. You know how he is, he worries.
Simon Wyler: Yeah, I know. He gets that from your mother, I'm afraid. She always worried too much.
Alex Wyler: [looks at architectural plans] What are you looking at?
Simon Wyler: Hmm? Oh, yeah, here, take a gander. It's a proposal for a museum.
Alex Wyler: Who is it?
Simon Wyler: Someone new.
Alex Wyler: Oh, I like the walkways, where the light falls. What are the materials?
Simon Wyler: Granite. Aluminum.
Alex Wyler: White panels are straight out of Meier... but the interior color coming through the front windows, that's different. It's not new, but it's clean, uncluttered. I like it.
Simon Wyler: When was the last time you were in Barcelona?
Alex Wyler: Years ago, with you, Mom and Henry.
Simon Wyler: Do you remember visiting Casa de la Caritat?
Alex Wyler: The almshouse.
Simon Wyler: That's right. You mentioned Meier. His Barcelona museum stands in the same area as Casa de la Caritat. It drinks the same light. Meier designed a series of louvered skylights to capture that light and cast it inward to illuminate the art within, but indirectly. And, that was important, because although light enhances art, it can also degrade it. But, you know all that already, you son of a gun. Now, this... where do you suppose this is to be built?
Alex Wyler: I have no idea.
Simon Wyler: Oh, but you said you liked it.
Alex Wyler: Conceptually.
Simon Wyler: Now, come on. You know as well as I do that the light in Barcelona is quite different from the light in Tokyo. And, the light in Tokyo is different from that in Prague. A truly great structure, one that is meant to stand the tests of time never disregards its environment. A serious architect takes that into account. He knows that if he wants presence, he must consult with nature. He must be captivated by the light. Always the light. Always.

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