Ultimately, Crash succeeds in spite of itself. Its color war starts to feel obvious and schematic. Its coincidences and clichés become like a pileup on the 405 freeway, but there it is -- you find yourself rubbernecking and can't manage to look away.
Haggis writes with such directness and such a good ear for everyday speech that the characters seem real and plausible after only a few words. His cast is uniformly strong; the actors sidestep cliches and make their characters particular. show more
Crash fools around with chronology in a Tarantinoesque way that brings its story full circle. You could argue that as events, and people, merge, Haggis' spiky screenplay (cowritten with Bobby Moresco) gets to be, quite simply, too much. show more