R

Robin Williams Quotes

Actor

Memorable Quotes from Robin Williams

100 quotes
The Unfolding Mystery of Jumanji
Alan Parrish Jumanji.
Van Pelt Huh?
Alan Parrish It's Jumanji.
[louder; Van Pelt gun crooks and fires]
Sarah Whittle No, Alan, no!
[jumpa out in front of the bullet; Van Pelt shoots a bullet which disintegrates as he and everything from the game gets sucked back in]
Sam Parrish I forgot my speech notes.
[entering the house]
Young Alan Parrish I'm so glad you're back.
[Hugs Sam]
Sam Parrish I've only been gone five minutes.
Young Alan Parrish It seems like a lot longer to me.
Sam Parrish See, I thought you told me you were never gonna talk to me again.
Young Alan Parrish Whatever I said, Dad, I'm sorry.
[sadly]
Sam Parrish Look, Alan, I was angry. I'm sorry too. I'm sorry. Look, you don't have to go to Cliffside if you don't want to. Let's talk it over tomorrow, man-to-man.
Young Alan Parrish How about father-to-son?
Sam Parrish All right. Hey, I gotta get going. I'm the guest of honor.
Young Alan Parrish Dad? Back in nineteen six-- I mean, today in the factory, it wasn't Carl Bentley's fault. I put the shoe on the conveyor belt.
Sam Parrish I'm glad you told me, son. Thanks.
Young Alan Parrish Bye, Dad.
Sam Parrish Good-bye.
Young Alan Parrish Holy smokes! Judy and Peter!
[remembers something]
Young Sarah Whittle Alan. They're not there. It's 1969. They don't even exist yet.
Colonel Mustard's Clue in Jumanji Game
Alan Parrish I've got it! Colonel Mustard in the library with the wrench. Clue.
[''Laughs'']
Unexpected Assistance Based on Scent
Gray Baker Why are you helping me?
Cozy Carlisle I don't know. You smell good.
Perception of the Impossible in Life
Chris Nielsen What some folks call impossible, is just stuff they haven't seen before.
The Importance of the Wild Card
Walter Finch You forgot the wild card, Will.
[last words]
The Challenges of Being a Doctor
Cozy Carlisle Hey, thumb-dick, I was a damn good shrink. In sixteen and a half years I worked with a lot of people through a lot of shit. Okay, I slept with a patient or two. It's not like I didn't care about em.
Mike Church Okay.
Cozy Carlisle I loved being a doctor. I used to not charge half my patients. Then the fuckin state comes along, they send some bitch undercover, and I'm fucked. It ain't fair, is it?
Nostalgia and Friendship in Childhood Memories
Young Sarah Whittle I'm starting to forget what it's like to be a grown-up.
Young Alan Parrish That's okay. As long as we don't forget each other.
Young Sarah Whittle Or Judy and Peter. Alan, there's something I've been wanting to do and I better do it before I feel too much like a kid.
[She kisses him]
Young Alan Parrish They probably don't teach driver training in the sixth grade, huh?
Sarah Whittle Merry Christmas. Wanna try one of these?
Alan Parrish No, Dad. It's a new cross-trainer. It's doing fabulous. It's not a bra. It's a shoe.
[on the phone, to Sam]
Sarah Whittle Honey, they're here.
Alan Parrish Dad, I gotta run. Merry Christmas. We'll pick you up at the airport. You'll be the best Christmas gift of all. Bye-bye. Bye-bye. They're here.
Sarah Whittle Come on. Let's go.
Alan Parrish Pardon me. Jim, glad you could make it.
Jim Shepherd Thanks. This is my wife, Martha.
Alan Parrish Hi, Martha. This is Sarah.
Martha Shepherd Hi, Sarah.
Jim Shepherd Where are the kids?
Alan Parrish Oh, my God, there they are.
Martha Shepherd How'd you know?
Sarah Whittle A guess. A guess, of course. They're your kids.
Jim Shepherd You're right. These are our children. Judy and Peter. Kids, say hi to Mr. and Mrs. Parrish.
Peter Shepherd Nice to meet you.
Judy Shepherd Nice to meet you.
Alan Parrish You're just like we remembered you. I feel like we know so much about them because, you know--
Sarah Whittle You've told Alan so much about them.
Alan Parrish And I told her.
Sarah Whittle Yeah.
Alan Parrish I'll go get the presents.
Sarah Whittle Sure, honey. Well, we love children.
Alan Parrish Merry Christmas.
Peter Shepherd Cool!
Alan Parrish So, when can you start?
Jim Shepherd Well, actually, Martha and I were thinking of taking a little skiing holiday in the Canadian Rockies.
Alan and Sarah No!
[all chatter stops]
Alan Parrish Sorry. We-- We just--
Sarah Whittle Need you to get that marketing done on the new line… pronto.
Jim Shepherd No problem. I could probably start next week. That'd be great.
Alan Parrish Let me introduce you to the rest of the folks you'll be working with. Come on in. Our house was your house. Is, anytime you like.
French speaking Girl What's that noise?
The Man He Could Have Been
Chris Nielsen There's a man Ian never got to know, the man he was growing up to be. He's a good-looking clear-eyed fella... about 25. I can see him. He's the type of guy men want to be around, because he has integrity, you know? He has character. You can't fake that. And he's a guy women want to be around, too. Because there's tenderness in him... respect... and loyalty, and courage. And women respond to that. Makes him a terrific husband, this guy. I see him as a father. That's where he really shines. See, when he looks in his kid's eyes and that kid knows that his dad really, really sees him... he sees who he is. Then that child knows that he is an amazing person. He's quite a guy... that he'll never get to meet. I wish I had.
Maternal instincts in unconventional forms
Armand Goldman Don't worry about that. I'm very maternal. And Albert's practically a breast.
A Game of Chance and Frustration
Alan Parrish Sarah!
Sarah Whittle What?
Alan Parrish It's your turn. You can finish if you roll a 7.
Sarah Whittle I can't roll!
Alan Parrish Put the dice in your mouth--
Sarah Whittle Judy! Bring the game! Hurry!
Peter Shepherd Judy! Judy, are you okay?
[Peter chops the poisonous plant in half with the axe]
Judy Shepherd I'm fine. Help them.
[pulls out the barb]
Sarah Whittle Come on, Judy. Gimme the dice! "You're almost there with much at stake, but now the ground begins to quake.
[puts them in Sarah’s mouth and she spits them out onto the game.; the mansion is separating]
Peter Shepherd Judy!
Sarah Whittle Oh, my God!
Alan Parrish What?
Judy Shepherd I wish Mom and Dad were here.
[the barb has injured Judy]
Peter Shepherd So do I.
Alan Parrish Our only chance is if we finish the game!
Sarah Whittle It's your turn!
Alan Parrish Oh, my God. Get the game! The game!
Sarah Whittle No, I won't let you go! Alan!
Van Pelt Don't move! Stand up. What's in your hand? Drop it. End of the line, Sunny Jim. Game's up. Stop running.
[Alan grabs the two dice; Alan does so; pauses; to Alan's hand in two dices; Alan drops the dice onto the game, but the other dice falls into the crack below]
Alan Parrish No.
Van Pelt Aren't you afraid?
Alan Parrish I'm terrified. But, my father told me, you should always face what you're afraid of.
[The dice keep rolling into the fissure]
Van Pelt Good lad. You're finally acting like a man. Any last words?
[laughs]
The Healing Power of Simple Compassion
Parry It begins with the king as a boy, having to spend the ] alone in the forest to prove his ] so he can become king. Now while he is spending the night alone he's visited by a sacred vision. Out of the fire appears the ], symbol of ]'s divine grace. And a voice said to the boy, "You shall be keeper of the grail so that it may heal the ]s of men." But the boy was blinded by greater visions of a life filled with power and glory and beauty. And in this state of radical amazement he felt for a brief moment not like a boy, but invincible, like God, so he reached into the fire to take the grail, and the grail vanished, leaving him with his hand in the fire to be terribly wounded. Now as this boy grew older, his wound grew deeper. Until one day, life for him lost its ]. He had no ] in any man, not even himself. He couldn't love or feel loved. He was sick with experience. He began to die. One day a fool wandered into the castle and found the king alone. And being a fool, he was simple minded, he didn't see a king. He only saw a man alone and in pain. And he asked the king, "What ails you friend?" The king replied, "I'm thirsty. I need some water to cool my throat". So the fool took a cup from beside his bed, filled it with water and handed it to the king. As the king began to drink, he realized his wound was healed. He looked in his hands and there was the holy grail, that which he sought all of his life. And he turned to the fool and said with amazement, "How can you find that which my brightest and bravest could not?" And the fool replied, "I don't know. I only knew that you were thirsty." It's very beautiful, isn't it?
[[night; [courage; [Holy Grail; [God; [heart; [reason; [faith]
Waiting for the Right Roll in Jumanji
Alan Parrish In the jungle, you must wait, until the dice read 5 or 8.
Read with Your Own Perspective
John Keating When you read, don't just consider what the author thinks, consider what you think.
Love and connection beyond the afterlife
Chris Nielsen * To his dog
Mandatory Marriage Preparation Discussion
Ben (Referring to Frank's marriage preparation course) I'm sorry, but this isn't mandatory right, because we're so ready to get married.
Sadie More than most.
Reverend Frank We highly recommend it.
Choir Boy In other words, you have no choice.
Club Paradise: Your Destination for Fun
Jack Moniker Club Paradise. Your Hot Spot For Fun With Guns in the Sun.
[creating a new slogan for his club]
The Triumph of Good Over Evil
Popeye Bluto, even though you're larger than me, you can't wins, cause you bad, and the good always wins over the bad.
Critique of Uninspired Conversations
Nikki Well, Scotty, you're boring. I liked you for a while, but now I can't stand looking at you. Even your voice makes me sick.
Dale Putley That was lovely.
Jack Lawrence Yes, Hallmark is waiting for you.
The Limits of Knowledge and Experience
Sean Maguire I thought about what you said to me the other day, about my painting. I stayed up half the night thinking about it. Something occurred to me. I fell into a deep, peaceful sleep, and I haven't thought about you since. You know what occurred to me? You're just a kid. You don't have the faintest idea what you're talking about. It's all right. You've never been out of Boston. So if I asked you about ], you'd probably give me the skinny on every art book ever written. ], you know a lot about him. Life's work, political aspirations, him and the Pope, sexual orientation, the whole works, right? But I'll bet you can't tell me what it smells like in the ]. You've never actually stood there and looked up at that beautiful ceiling. Seen that. If I ask you about women, you'd probably give me a syllabus about your personal favorites. You may have even been laid a few times. But you can't tell me what it feels like to wake up next to a woman and feel truly happy. You're a tough kid. And I'd ask you about war, you'd probably throw ] at me, right? ] But you've never been near one. You've never held your best friend's head in your lap, and watch him gasp his last breath looking to you for help. I'd ask you about ], you'd probably quote me a sonnet. But you've never looked at a woman and been totally vulnerable. Known someone that could level you with her eyes, feeling like ] put an ] on ] just for you. Who could rescue you from the depths of ]. And you wouldn't know what it's like to be her angel, to have that love for her, be there forever, through anything, through cancer. And you wouldn't know about sleeping sittin up in the hospital room for two months, holding her hand, because the doctors could see in your eyes that the terms "visiting hours" don't apply to you. You don't know about real loss, cause that only occurs when you've loved something more than you love yourself. And I doubt you've ever dared to love anybody that much. I look at you. I don't see an intelligent, confident man. I see a cocky, scared shitless kid. But you're a ], Will. No one denies that. No one could possibly understand the depths of you. But you presume to know everything about me because you saw a painting of mine. You ripped my fuckin life apart. You're an orphan, right? Do you think I'd know the first thing about how hard your life has been, how you feel, who you are, cause I read ]? Does that encapsulate you? Personally, I don't give a shit about all that, because you know what, I can't learn anything from you I can't read in some fuckin book. Unless you want to talk about you, who you are. Then I'm fascinated. I'm in. But you don't wanna do that, do you, sport? You're terrified of what you might say. Your move, chief.
[pause; [art; [Michelangelo; [w:Sistine Chapel|Sistine Chapel; [Shakespeare; [Henry V#Act III|"Once more into the breach, dear friends."; [love; [God; [angel; [Earth; [Hell; [genius; Will nods; [Oliver Twist]
A Disturbing Tale of Revenge and Irony
Jack Moniker I heard about this guy in Cicero, well he stiffed a loanshark, so a couple of these guys got him, cut off his arm, beat him to death with the arm, and shoved it in a food processor and made a dip out of it. Then they served it to his family at his sister's wedding. And the sister loved it so much, she wanted the recipe. It's a crazy world, isn't it?
Ultimate Frisbee Challenge Among Friends
Yancy You ladies ready to play a little Ultimate Frisbee?
Dan I think so, Mr. Testosterone!
RV
Embracing Challenges Despite Adversity
Bob Munro You're just determined to have a bad time, aren't you? Not me. I embrace every challenge.
[Cassie: We all are, Dad.]
Unexpected Sightings in a Busy Scene
Sarah Whittle Thank you. Come on.
Judy Shepherd What's going on?
Sarah Whittle Apparently there's a sale happening. You just saw three monkeys go by on a motorcycle, didn't you?
[monkeys on a police motorcycle ride by]
Judy Shepherd Yes.
Sarah Whittle Good girl. Come on. Well, maybe we can bail him out with a check.
[they go up to an ATM but discover it's out of service]
Van Pelt Thanks. You tell that sniveling coward from me, if he wants-- Hey! Get out of my way! Give me that, boy!
[takes the game back]
Peter Shepherd Hey! Help me! Get me outta here!
[Peter is trapped in a car due to a rhino crushing it]
Sarah Whittle It's all right.
Judy Shepherd Oh, my God, Peter.
Sarah Whittle Come on.
[They run to Sir Sav-a-Lot.]
Judy Shepherd There it is!
[spots the game on a counter]
Sarah Whittle Wait here.
[she goes to retrieve it]
Van Pelt Got ya, girlie. When Alan hears of your predicament, he'll come.
[catches Sarah]
Sarah Whittle He doesn't know I'm here, so this isn't gonna work. I'm going.
Van Pelt Don't move or I'll blow your blinking brains out!
Sarah Whittle Call the cops!
Van Pelt That should do it, don't ya think?
Sarah Whittle Oh, yeah.
Judy Shepherd Price check!
[uses the scanner to temporarily blind Van Pelt]
Alan Parrish If you let me go, I can stop all this. It sounds like something out of the Twilight Zone, but it's true. Please. You gotta help me on this.
Carl Bentley I know I'm gonna regret it. Just hold still. There. I let you go. Now what are we gon’ do?
[removing the handcuffs; throws the handcuff keys and handcuffs Carl to the door]
Alan Parrish You are gonna stay here.
Carl Bentley Those are my keys!
Alan Parrish It's for your own good. You just stay there.
Carl Bentley My handcuff keys. Wait.
Alan Parrish This is something I have to do.
Carl Bentley Alan!
Alan Parrish You'll thank me someday.
Carl Bentley Lorraine, come in. Lorraine!
Alan Parrish What's Sir Sav-a-lot?
Carl Bentley It's a discount store.
Alan Parrish Move over.
Carl Bentley Wait. Gently.
Alan Parrish All right. Don't worry. I've done this before once.
Alan Parrish Where's Sir Sav-a-Lot?
Carl Bentley Monroe and Elm.
Alan Parrish The Episcopal church.
Carl Bentley No, it's not a church anymore. Now it's a Speedy Burger, or at least it was. I don't know what's left of it. People in this town are goin loopy.
Sarah Whittle Judy!
Alan Parrish We got company.
Carl Bentley It's all right. That's a traffic cop. He'll back us up.
[The same monkeys from before ride up]
Judy Shepherd Here's the game.
Sarah Whittle Come on. Get outta here.
Popeye Questions Presence and Absence
Popeye I know you ain't down there. Truth is you ain't here. Now, where ain't you? Where ain't me Swee'Pea?
Acknowledging Personal Responsibility in Relationships
Chris Nielsen That's when I realized I'm part of the problem. Not because I remind you. But because I couldn't join you. So I left you alone. Don't give up, okay?
RV
Unity and Strength in Challenging Times
Bob Munro We have to hang together and stay strong.
A Commitment to Laughter and Love
Armand Goldman My cemetery's in ]. It's one of the prettiest in the world. The sky is blue, palm trees, rolling hills. The one is Los Copa's really shit. What a pain in the ass you are. And it's true: you're not young, you're not new, and you do make people laugh. And me? I'm still with you because you make me laugh. So you know what I got to do? I got to sell my plot in Key Biscayne so I can get one next to you in that shithole Los Copa, so I never miss a laugh.
[to Albert; [W:Key Biscayne|Key Biscayne; sigh]
Meeting a Beautiful Girl by the Lake
Chris Nielsen When I was young, I met this beautiful girl by a lake.
Embracing Identity and Self-Acceptance
Popeye And I yam what I yam and I yam what I yam that I yam / And I gotta lotta muscle and I only gots one eye / And I never hurts nobody and I'll never tell a lie / Top to me bottom and bottom to me top / That's the way it is til the day that I drop, what am I / I yam what I yam
[singing]
Misunderstanding About Scat and Poop
Zach I think "scat" is poop.
Dan Really, son?
Zach Yeah.
Charlie You wiped poop on my face?
Dan Yeah. Scat happens, man.
Acknowledging Mistakes and Consequences
Chris Nielsen Boy, I screwed up. I'm in ] ]!
[[dog; [Heaven]
The Nature of the Afterlife
Chris Nielsen A place where we all go can't be bad, can it girl?
Friendship Knows No Boundaries
Rainbow Randolph Friends Come in all Sizes!
Facing the Unknown in Jumanji
Alan Parrish You think monkeys, mosquitoes, and lions are bad? That's just the beginning. I've seen things you've only seen in your nightmares. Things you can't even imagine. Things you can't even see. There are things that hunt you in the night. Then something screams. Then you hear them eating, and you hope to God that you're not dessert. Afraid? You don't know what afraid is. You will not last 5 minutes without me.
The Bond of Soul Mates
Chris Nielsen Is that a kind of occupational hazard of soul mates — one's not much without the other?
A Message of Presence and Existence
Chris Nielsen Annie, I'm here. I still exist.
Struggles with Life and Despair
Dale Putley For years I've thought about killing myself. It's the only thing that kept me going.
The Illusion of the Ultimate Taboo
Walter Finch You and I share a secret. We know how easy it is to kill somebody. That ultimate taboo. It doesn't exist outside our minds. I didn't murder her. I killed her, but it just ended up that way.
Questions About Women and Their Motives
Mike Church Why would she want to kill me now?
Cozy Carlisle Why do women do anything?
Forgiveness and Self-Condemnation in Life's Journey
Chris Nielsen Good people end up in Hell because they can't forgive themselves. I know I can't. But I can forgive you.
Alan Parrish's Unexpected Return and Inquiry
Alan Parrish Oh, sorry! I'm back. My bike. Somebody rolls for five or eight?
[opens the closet door in Peter and Judy screams in pains with the leeches; closes the closet door in kids stop screaming. He kicks the Alan's room in grunts; whispers; ?]
A Quest for Meaning and Purpose
Parry I'm a ] on a special quest.
[[knight]
Reverend Frank Questions Ben's Hobbies
Reverend Frank So, Ben. What do you do besides little Sadie, here?
The Irony of Maintaining a Clean Image
Rainbow Randolph Even when you're squeaky clean, you can still fall in the mud.
Encouragement to Discover Your Own Voice
John Keating Boys, you must strive to find your own voice. Because the longer you wait to begin, the less likely you are to find it at all. Thoreau said, "Most men lead lives of quiet desperation." Don't be resigned to that. Break out! Break out! Now is the time!
Unexpected Connections in a Car Trouble Encounter
Dale Putley Do you have a boyfriend?
Woman with broken car No!
Dale Putley Good! Me neither!
Unexpected Call in Jumanji's Tense Moment
Answering Machine Leave a message and the doctor will call you back at his earliest convenience.
Sarah Whittle Dr. Boorstein. Sarah Whittle calling. If you could call me back as soon as you can, I think I need to have my dosage checked. That event we've been discussing for a long time now the one that didn't really happen-- I'm havin an episode here with the little boy that didn't really disappear. I'm sittin in his living room... drinkin lemonade. If you could call me, I'd really be interested in your interpretation. Thank you so much. He'll call me back ten minutes before the hour.
Alan Parrish While we're waiting--
[Alan pulls Jumanji out]
Sarah Whittle Whoa, God!
Alan Parrish Sarah!
Sarah Whittle No, no, no, no!
Alan Parrish Sarah, please!
Sarah Whittle I have spent over 2,000 hours in therapy convincing myself that that doesn't exist. See, what happened to you was so awful I made up that whole thing.
Alan Parrish Sarah, it was awful. It was awful. It was awful, it really was.
Sarah Whittle Am I crazy?
Alan Parrish But it was real. Real.
Sarah Whittle No, no, no, it wasn't real, Alan. Your father murdered you and he chopped you up into little pieces.
Alan Parrish Sarah, come on. My dad did that? My father could barely hug me, let alone cut me into little pieces. Twenty-six years ago., we started playing a little game. And now we're all gonna sit down, and we're gonna finish it. And guess what? Your turn.
Sarah Whittle No!
[scared; tries to give dice to Peter but fails]
Alan Parrish Play the game, Sarah.
Sarah Whittle Oh, no, no, no.
Alan Parrish All right. Just gimme the dice and you can go home. You don't have to play.
Sarah Whittle Thank you, Alan.
Sarah Whittle Oh, my God! How could you do that?
Alan Parrish It's the law of the jungle, Sarah. You'll get used to it.
Sarah Whittle And I think of all the energy I spent visualizing you as a radiant spirit.
Judy Shepherd Go on, read it.
Sarah Whittle They grow much faster than bamboo. Take care or they'll come after you.
Alan Parrish Oh, great.
Sarah Whittle Oh, God. Tell me this isn't happening.
Alan Parrish Oh, it is. Stay away from the walls. Don't touch anything. No quick movements.
Judy Shepherd Wow, they're beautiful.
Alan Parrish Oh, yeah, they're beautiful. Don't touch the purple ones. They shoot poisonous barbs. And definitely stay away from the pods. The big yellow ones.
Sarah Whittle What big yellow ones?
Alan Parrish Peter! I got ya! Get his arms!
Peter Shepherd Get it off me!
Sarah Whittle Oh, my God! Hang on, boy.
Alan Parrish Grab him! I'll be right back.
Sarah Whittle Oh, my God!
Alan Parrish Sorry, Angus. Whoa. Harvest time!
[breaks the sword case and unsheathes the sword; cuts the vine of the plant, freeing Peter]
Sarah Whittle Are you okay?
Desire for companionship in difficult times
Chris Nielsen If I was going through fucking HELL, I'd only want one person in the whole goddamn world by my side.
Seize the Day and Make Life Extraordinary
John Keating They're not that different from you, are they? Same haircuts. Full of hormones, just like you. Invincible, just like you feel. The world is their oyster. They believe they're destined for great things, just like many of you, their eyes are full of hope, just like you. Did they wait until it was too late to make from their lives even one iota of what they were capable? Because, you see gentlemen, these boys are now fertilizing daffodils. But if you listen real close, you can hear them whisper their legacy to you. Go on, lean in. Listen, you hear it? - - Carpe - - hear it? - - Carpe, carpe diem, seize the day boys, make your lives extraordinary.
A Son's Hope for Reunion
Popeye Poppa. Pretty soon, you and me are going to be together again, huh? Yeah. Thirty years ain't that long. Besides, next Wednesday's our annual-versity. Yeah? Yeah. Stay alive. That's all I'm axskin you. Good night, Poppa.
[to a photo of his Pappy]
Searching Beyond Boundaries of Life and Death
Chris Nielsen I found you in Hell, don't you think I can find you in Jersey!?
Describing a Mysterious Creature in Jumanji
Carl Bentley Gimme that description again.
[calling dispatch in his cruiser]
Radio I said, red fur and long tail.
Carl Bentley Get down off of my car, please. And get up on the sidewalk.
[Alan jumps up on Carl’s cop car]
Alan Parrish What ] is it?
[[year]
Carl Bentley It was brand new.
Alan Parrish No. What year is it?
Judy Shepherd Uh, 1995, remember?
Alan Parrish 95.
Carl Bentley You got some I.D.? Oh, let me guess. You left it in your other ] outfit, right?
[[Tarzan (1999 film)|Tarzan]
Alan Parrish Twenty-six years.
Carl Bentley Are you from around here?
Alan Parrish I was! But I've been in Jumanji.
Judy Shepherd Indonesia. He was in the ].
[[w:Peace Corps|the Peace Corps]
Alan Parrish Bentley. Carl Bentley, the Soleman.
[looking at Carl’s badge and whispering to himself]
Carl Bentley Is this man related to you?
[About Alan, still dressed in jungle garb]
Judy Shepherd Yes, sir. He's our uncle.
Carl Bentley Does he always dress like that?
Judy Shepherd Well, yeah, he's a vegetarian.
Alan Parrish Get out of there! Monkeys! Monkeys.
[notices 2 monkeys inside Carl's car; Screeches and makes monkey noises; to Judy, Peter, and Carl]
Carl Bentley Is he all right upstairs?
[Taps at his temple]
Judy Shepherd Uh, he suffered a head injury a few months ago.
Carl Bentley Hey! Hey-- What? Don't you move! Freeze! Hey!
[the monkeys discharge the shotgun and drive away]
Alan Parrish Don't move. Don't move.
Judy Shepherd Hey, wait a minute! Where are you going?
Alan Parrish To find my parents!
Judy Shepherd Come on.
[to Peter; She and Peter follow Alan]
Judy Shepherd Wait!
Alan Parrish My dad used to make shoes here. They were the best shoes in New England. Hey! Sorry.
[barges into the office]
Shoe Factory Bum Easy, girl.
[his dog attempts to get up, but he stops her]
Alan Parrish Sorry. Do you know what happened to this shoe factory?
Shoe Factory Bum Yeah, it folded up, like everything else in this town. Hey, it's pretty cold out there. How bout some coffee?
Alan Parrish Why would they close Parrish Shoes?
Shoe Factory Bum Well, when his kid ran away, Sam put all he had into trying to find him. His time, his money. Everything. After a while, he stopped comin to work. He just quit caring. I don't think anybody loved his boy more than Sam did. Here. You're gonna freeze out there.
[gives him some clothes]
Alan Parrish Thank you. Are the Parrishes still around?
Shoe Factory Bum I see em now and then.
Alan Parrish Yeah?
Shoe Factory Bum They're over on Adams Street.
Judy Shepherd Our parents are dead too. They were in the Middle East negotiating peace when--
Peter Shepherd Our dad was in advertising.
[glares at Judy]
Alan Parrish I bet you miss him, huh? Me too.
[Alan places his hat on the headstone and walks away]
Judy Shepherd There he goes again.
Game of Survival in Jumanji
Alan Parrish Come on. Okay, it's my turn. I've got it. Colonel Mustard in the library with a wrench. Clue.
Alan Parrish Beware the ground on which you stand, the floor is quicker than the sand.
Sarah Whittle Alan!
Alan Parrish Help me.
Sarah Whittle Okay. Stay calm. Don't struggle. Stay calm.
Alan Parrish I'm calm.
Judy Shepherd Alan! Grab on!
Alan Parrish Pull. Okay, I got it. Pull!
Sarah Whittle Stay calm!
Alan Parrish Come on.
Sarah Whittle Oh, good! I got you.
Alan Parrish Stop giving me things that come apart!
Judy Shepherd There is a lesson--
Sarah Whittle All right.
Judy Shepherd There is a lesson you will learn:
Sarah Whittle I got you.
Judy Shepherd sometimes you must go back a turn.
[the floor becomes quicksand; Sarah tries to pull Alan up, but also gets stuck]
Sarah Whittle Did I hurt you?
Alan Parrish Oh, no.
Sarah Whittle Oh, dear.
Alan Parrish Oh, thank you, Judy. Thank you. That was quick thinking. Sarah and I would like to get out of the floor, so it's your turn, Peter.
Peter Shepherd Okay.
Sarah Whittle I thought I lost you again.
Alan Parrish Thanks for stickin around this time.
Peter Shepherd Need a hand while you just wait, we'll help you out, we each have…eight?
Alan Parrish What's that? What is it?
[spiders appear]
Sarah Whittle Nothing. Waah!
Alan Parrish You don't go "Waah!" for nothing.
Sarah Whittle Oh, my.
Alan Parrish Peter! My dad kept an axe in the woodshed. Go get it.
Peter Shepherd Okay.
Alan Parrish Hurry! Go, go, go!
Judy Shepherd Sarah!
Aunt Nora Judy? Peter?
Peter Shepherd Aunt Nora, it's me, Peter.
Aunt Nora Oh, God!
[shocked at Peter's appearance and seeing Alan’s legs protruding from the ceiling; she backs into the closet]
Peter Shepherd Sorry, I can't talk right now. I'll explain later.
[locks her in the closet]
Questioning Sleep and Its Elusiveness
Walter Finch Can't sleep, Will?
The Power of Words and Ideas
John Keating No matter what anybody tells you, words and ideas can change the world.
Observations on Jack's Happiness
Parry Jack, I may be going out on a limb here, but you don't seem like a happy camper.
Unexpected Humor in a Serious Moment
Reverend Frank I'm going to have to heal you. We have got to pray! We have got to pray! We have got to pray to make it through the day!
Ben Was that M.C. Hammer?
[''pause'']
Rainbow Randolph's Kingdom of Fun
Rainbow Randolph Do not start with your magician's tricks, young Moses! I am Pharaoh! And you are my slave...and this is my kingdom! Rainbow Randolph is the man; Yes, oh, yes, he is! He's the king of Rainbowland; Yes, oh, yes, he is! With some fun, fun here and a laugh, laugh there, Here a dance, there a song; everything is fun, fun! Rainbow Randolph is the King La, la, la, la...
[to Sheldon; starts singing to the tune of Old MacDonald Had a Farm; stars to cry; covers his face]
Expression of Gratitude from John Keating
John Keating Thank you, boys. Thank you.
[Last words of film]
Popeye's Farewell to Irene
Popeye Goodnight, Irene!
[when Bluto sinks him during a fight]
Embrace the beauty of individual thought
John Keating *Note: bolded portion is ranked #95 in the ] in American cinema.
[[w:AFI's 100 Years... 100 Movie Quotes|American Film Institute's list of the top 100 movie quotations]
The Paradox of Winning and Losing
Chris Nielsen Sometimes, when you win, you lose.
Vengeful Threat from Rainbow Randolph
Rainbow Randolph You better grow eyes in the back of your fucking head, you horned piece of shit, because I'm not gonna sleep until ] are crawling right up your foamy rubber ass! I'm going on a safari, motherfucker! SAH-FAR-I!
[[worms; makes an elephant noise]
Unconventional Interrogation Tactics Discussed
Dale Putley How did you get her husband to talk?
Jack Lawrence I head-butted him.
Dale Putley How ] of you. What are gonna do with her, run her through the Visa machine?
[[w:Joe Pesci|Joe Pesci]
Celebrating Dance with Eclectic Influences
Armand Goldman You do an eclectic celebration of the dance! You do ], Fosse, Fosse! You do ], Martha Graham, Martha Graham! Or ], Twyla, Twyla! Or ], Michael Kidd, Michael Kidd, Michael Kidd! Or ], Madonna, Madonna!... but you keep it all inside.
[[w:Bob Fosse|Fosse; [Martha Graham; [w:Twyla Tharp|Twyla; [w:Michael Kidd|Michael Kidd; [Madonna (entertainer)|Madonna]
Dreams of an Affordable Paradise
Jack Moniker Read this, pal, and weep: "Paradise for pennies...a Garden of Eden, built on a secluded lagoon with its own private dock and speedboat included. Contact Mr. Banks, St. Nicholas.
[handing a fireman, Dave, a newspaper clipping]
The Balance of Daring and Caution
John Keating There's a time for daring and there's a time for caution, and a wise man understands which is called for.
Confrontation Over Identity and Perception
Thug What're you, a fag?
Parry Fag? No, but I do ] in ].
[[believe; [fairies]
Critique of Historical Events and Their Motivations
Parry What were the crusades? The pope's publicity stunt?
Tension Builds Amidst Chaos in Jumanji Scene
Carl Bentley Turn the siren off. Right there!
Alan Parrish I got it.
Carl Bentley Okay!
Van Pelt Stop your cringing, woman. I could have shot you at any moment.
Sarah Whittle Then why didn't you?
Van Pelt You didn't roll the dice. Alan did.
Carl Bentley There it is. Hit the brakes. Hit the brakes!
Alan Parrish I'm hittin em.
Carl Bentley Hit the brakes!
Alan Parrish I'm hittin the brakes!
Van Pelt He should be here any moment.
Alan Parrish Sarah! You're all right?
[the car plows into the store knocking shelves over and burying Van Pelt in paint cans]
Sarah Whittle Yes.
Alan Parrish Where's Peter?
Peter Shepherd I'm here.
Alan Parrish Oh, great.
Self-help tape So remember, circumstances are never ever out of your control. End of tape three.
Carl Bentley I got it.
[using a hacksaw to free himself from the door]
Sarah Whittle Alan, talk to him. Please?
Alan Parrish What? We don't have time for this, okay?
Sarah Whittle I know, but he's a kid and he was trying to help.
Alan Parrish All right.
Sarah Whittle Thank you.
Alan Parrish I warned you about this, Peter. No, you wanted to play the game. What, are you crying? You don't cry, all right? You keep your chin up. Keep your chin up. Crying never helped anybody do anything, okay? You have a problem, you face it like a man.
[to Peter]
Alan Parrish I'm sorry. Twenty-six years buried in the jungle and I still became my father. It's okay. Come here. I'm sorry. Hey. It's all right. Remember what you told me? It's all right to be afraid.
Peter Shepherd It's not that.
Alan Parrish What is it? Okay. Ready? Don't worry. We're gonna have you turned back into your old self in no time flat. Cause we're gonna go in here, and together, we're gonna sit down, we're gonna finish that game, no matter what. Suddenly, I feel right at home.
[whispers in Alan's ear; pulls Peter's tail out of his pants; The house has turned into a swamp]
Carl Bentley Lorraine, this is Carl. I know who's behind this. I'm headin to the Parrish place. Gimme backup. Lorraine?
Aunt Nora Wait!
Carl Bentley Now what?
Aunt Nora Stop! Wait, stop!
Carl Bentley Is there a problem, ma'am?
Aunt Nora Can I have a ride home?
Carl Bentley Where do you live?
Aunt Nora Jefferson Street. The old Parrish place.
Carl Bentley Do you have children? A boy and a girl?
Aunt Nora Oh, my God! What happened?
Carl Bentley Get in. I'll explain it on the way. Fine! Take it! We gotta get to that house.
[a vine from the game has taken Carl's cop car]
The Importance of Poetry in Life
John Keating We don't read and write ] because it's cute. We read and write poetry because we are members of the human race. And the human race is filled with ]. And ], ], ], engineering, these are noble pursuits and necessary to sustain ]. But poetry, ], ], ], these are what we stay alive for. To quote from ], "O me! O life!... of the questions of these recurring; of the endless trains of the faithless, of cities fill'd with the foolish…what good amid these, O me, O life? Answer. That you are here—that life exists, and identity, that the powerful play goes on, and you may contribute a verse." That the powerful play goes on, and you may contribute a verse. What will your verse be?
[[poetry; [passion; [medicine; [law; [business; [life; [beauty; [romance; [love; [Walt Whitman|Whitman]
Rainbow Randolph's Fiery Hatred Revealed
Rainbow Randolph I despise you... I LOATHE YOU!!! Bastard son of ]! Die! Die, you stuffed ball of fluff! You illegitimate ]! Die, you ] from hell! Die, you foam motherfucker! Die! Die!
[[w:Barney and Friends|Barney; [w:Teletubbies|Teletubby; [w:The Muppets|Muppet]
Governor's Visit to a Controversial Location
Jack Moniker Your Excellency. You're looking elegant this evening. Why are we graced with your imperial presence?
Governor Hayes The fact is, one can smell the suntan oil and the frying female flesh right across the island. I was curious to see what was going on at this perverted passion pit you're running here. This orgy bin. Whatever you call this drug-crazed nipple ranch.
The Uncertainty of Readiness in Jumanji
Judy Shepherd Ready?
Peter Shepherd Yeah.
Judy Shepherd Alan, ready?
Alan Parrish There is no "ready.
[Judy rolls the dice. Nothing happened]
Judy Shepherd I'll try it again. It's not working.
[Judy rolls the dice again. Nothing happened]
Alan Parrish Oh, no. It's not your turn.
Judy Shepherd Yeah. I rolled first and then Peter twice cause he got doubles, and now it's my turn again.
Alan Parrish No, look. Two of those pieces are yours, right? Whose are the other pieces? The elephant was mine. You're playing the game I started in 1969. I'm gonna have to play. It's not my turn.
Judy Shepherd Whose turn is it?
Alan Parrish Sarah Whittle. This is where she used to live.
[All 3 walk up to a Tudor-style house]
Peter Shepherd This place gives me the creeps.
Alan Parrish We used to play on this porch. I knew she still wouldn't live here. Probably married Billy Jessup and they're living in a trailer park. Come on, let's go.
Judy Shepherd Maybe she'll know where Sarah went.
Peter Shepherd Of course she'll know where Sarah went. She's a psychic.
Alan Parrish Good point. I remember the porch being bigger.
Judy Shepherd Hello? Um, can you help us?
[knocks on the door]
Sarah Whittle Do you have an appointment?
Judy Shepherd No, we're just trying to find someone.
Sarah Whittle Madam Serena can't see you right now.
Alan Parrish Maybe you can help us.
Sarah Whittle What is it?
[opens the door slightly]
Alan Parrish We're looking for someone who used to live here.
Sarah Whittle No, I've lived here my whole life.
[shuts the door]
Judy Shepherd Well, then you must know Sarah Whittle.
Sarah Whittle What do you want with Sarah Whittle?
[opens the door]
Alan Parrish Sarah?
Sarah Whittle No, I don't go by that name anymore.
Alan Parrish Sarah Whittle?
[stick his hand in the door]
Sarah Whittle What do you want?
Alan Parrish Twenty-six years ago, you played a game with a little boy down the street. A game with drums.
Sarah Whittle How do you know that?
Alan Parrish I was that little boy, Sarah.
Sarah Whittle Alan...
[she faints]
Peter Shepherd You killed her.
[to Alan]
A Warning Against Disrespecting Loved Ones
Sean Maguire If you ever disrespect my wife again, I will end you. I will fucking end you!
[Grabbing Will by the throat when he insults Sean's dead wife]
Consequences of Actions in Military Leadership
Sergeant Major Dickerson Ten-hut.
BG Taylor At ease. Cronauer, I'm sorry as hell about this thing. Goddamnit, I like you, son. I like what you do. Most of all, I like what you've done for the men. But fact's a fact. This could give the Army a black eye. I'm not gonna cover for you this time, son.
[''Turns to Adrian''; ''Pauses, glancing at SGM Dickerson'']
Adrian Cronauer Sir- what about the show?
BG Taylor We'll handle it. I'm sorry, son.
A1C Adrian Cronauer Why'd you do this?
Sergeant Major Dickerson I don't like your style, your politics or your sense of humor. I don't like what you say or how you say it. From now on the fighting men of Vietnam will hear exactly what they're supposed to hear. You're on a DC-8 out of Tan Sun Nhut Airport tomorrow morning- I recommend you pack quietly. That's all I have for you, Airman.
A1C Adrian Cronauer You know? You are in more dire need of a blowjob than any other white man in history.
[''SGM Dickerson looks up'']
BG Taylor Whoa, there, Dick. Put the brakes on. I wanted to wait until Airman had left to talk with you. Dick, I'm transferring you.
Sergeant Major Dickerson Transferring me, sir?
[''Startled'']
BG Taylor Mm-hmm.
Sergeant Major Dickerson Where to, sir?
BG Taylor You're goin to Guam.
Sergeant Major Dickerson Guam, Sir?! There's nothing goin on in Guam! Why Guam?
BG Taylor Dick, I've covered for you a lot of times, cause I thought you was a little crazy. But you're not crazy, you're mean. And this is just radio.
BG Taylor More dire need of a blowjob than any other white man in history". That's funny.
RV
Isolation in Modern Family Life
Bob Munro We watch TV in four separate rooms and we IM each other when dinner's ready.
[angrily]
A Farewell of Love and Regret
Chris Nielsen I'm sorry, babe, but there's some things I have to say. I've only got a few ] left. I'm sorry for all the things I'll never give you. I'll never buy you another meatball sub with extra sauce — that was a big one! I'll never make you smile. I just wanted us to be old together, just two old farts laughin at each other as our bodies fell apart, together at the end by that lake in your painting. That was our Heaven, see? There's lots of things to miss: books, naps, kisses, and fights! ], we had some great ones. Thank you for those. Thank you for every ]. Thank you for our ]. For the first time I saw them. Thank you for being someone I was always ] to be with. For your guts. For your sweetness. For how you always looked, for how I always wanted to touch you. You were my life. I apologize for every time I failed you. Especially this one.
[[moments; [God; [kindness; [children; [proud]
The Fragility of Life and Guilt
Walter Finch Killing changes you. It's not guilt — I never meant to do it. It's, like, awareness. Life is so important, how can it be so fucking fragile?
Will Dormer You trying to impress me, Finch? Because you've got the wrong guy. You think killing that girl makes you special, but you're not. You're the same distorted, pathetic freak I've been dealing with for 30 years. Do you how many of you I've caught with their pants down?
Walter Finch I never touched her like that!
[indignantly]
Will Dormer But you wanted to, and now you wish you had. The best you could do was clip her nails.
Popeye's Request for Apology and Humility
Popeye Another thing I got is a sensk of humiligration. Now, maybe you swabs can pool your intelligensk and sees that I'm axsking you for an apologeky.
Essentials for a Balanced Life
Parry There's three things in this world that you need: Respect for all kinds of life, a nice bowel movement on a regular basis, and a navy blazer.
Embracing Identity Against External Judgment
Armand Goldman Yes, I wear foundation. Yes, I live with a man. Yes, I'm a middle-aged fag. But I know who I am, Val. It took me twenty years to get here, and I'm not gonna let some idiot senator destroy that. Fuck the senator, I don't give a damn what he thinks.
A Nostalgic Encounter with Money
Dale Putley Jack, look at this.
Jack Lawrence It's money. I remember it from when I was single.
Acceptance of Responsibility
Popeye Don't thinks I blames ya, cause I don't. Nope.
[to Bluto, after beating him up for mistaking SweePea is his and Olive's]
Parry's Ode to Lydia, the Tattooed Lady
Parry Lydia, Oh Lydia. Say have you met Lydia? Lydia that Tattooed Lady!
[singing]
Contemplating Life Choices and Relationships
Jack Lucas Where would ] be without ]?
[[King Arthur; [w:Guinevere|Guinevere]
Parry Happily married, probably.
Jack Lucas Well, that's a bad... that's a bad ].
[[example]
Rainbow Randolph's Colorful Description of Anatomy
Rainbow Randolph What are you, blind? It's a cock! It's not a rocket, you dumb fuck! It's a cock! Look. It's a cock and balls! A dick! Chorizo and the huevos! It's a big stiffy! Yeah, it's a penis! Penis maximus! A willie! A weenie! Mr. Jiggle Daddy! The one-eyed wonder weasel! Don't you see that? It's Jimmy and the twins. Rumple Foreskin. He made this. It's made from dil-dough.
[Smoochy holds up a penis-shaped cookie made by Randolph]
The Consequences of Starting a Revolution
Jack Moniker Oh, sure! Go start a revolution. It's not gonna look good on your resumé, you know!
[to Ernest Reed, the owner of Club Paradise, during a storm]
RV
A Decision to Quit
Bob Munro Todd, I quit.
A Nation's Constitution in Pencil
Jack Moniker Babe, this is the only country in the world where the constitution is written in pencil.
[to his girlfriend Phillipa Lloyd ("Miss Philadelphia") after being released from jail]
Consequences of the Jumanji Game Revealed
Judy Shepherd I bet those monkeys came from the game. The mosquitoes too. Uh-oh. I didn't see this part. "Adventurers beware." "Adventurers beware. Do not begin unless you intend to finish. The exciting consequences of the game will vanish only when a player has reached Jumanji and called out its name.
[she and Peter run back up to the attic; Reads; The monkeys convene on the front lawn and then split up to go in opposite directions]
Peter Shepherd The monkeys are gone.
Judy Shepherd Good.
Peter Shepherd Put it away.
[Peter starts putting the game away but Judy reminds him]
Judy Shepherd Wait! The instructions say if we finish the game, it'll all go away. We better do it, or Aunt Nora's gonna pitch a fit. We should just get through it quickly. I mean, there's no skill involved. No, you rolled doubles. You get another turn. Roll!
Peter Shepherd Five. "His fangs are sharp. He likes your taste. Your party better move poste haste.
[The monkey token moves 5 spaces]
Judy Shepherd I don't like the sound of that.
Peter Shepherd Judy, someone's in here.
Judy Shepherd It's not real, Peter. It's a hallucination. Run, Peter!
[The lion roars and chases both children out of the attic]
Alan Parrish Aah! I'm back. My bike.
[sniffs and opens the closet door in Judy and Peter screams]
Alan Parrish Somebody roll a five or an eight?
Judy Shepherd He did.
Alan Parrish Oh, thank you! Thank you! Thank you! Thank you! Thank you. Sorry if I scared you. Sorry if I scared you. Thank you. I'm back! Mom! Dad! I'm home! I'm back! It's me! It's me, Alan, Mom and Dad! I'm home! I'm back. Are you my little sister?
Judy Shepherd No. I'm Judy and he's Peter.
Alan Parrish Where's Mom? Is Dad at the factory?
Judy Shepherd Are you Alan Parrish?
Alan Parrish Yeah. Who are you?
Judy Shepherd We live here now.
Alan Parrish Where's my mom and dad?
Judy Shepherd We don't know. This house has been empty for years. Everyone thought you were dead. Sorry.
Choosing the Right Place to Play
Sarah Whittle Shouldn't we play someplace else?
Alan Parrish No. I grew up in this. It's out there that scares me.
Sarah Whittle Okay, it's my turn.
Judy Shepherd Sarah, if you roll a 12, you win.
Sarah Whittle Okay, ready? Here I go.
Alan Parrish It's okay.
Sarah Whittle Every month at the quarter moon, there'll be a monsoon… in your lagoon." Monsoon. Well, at least we're inside.
Alan Parrish Yeah, right.
Sarah Whittle Well, a little rain never hurt anybody.
Alan Parrish Yeah, but a lot could kill ya. Come on. Make way.
Sarah Whittle What do we do now?
Alan Parrish We get to higher ground!
Sarah Whittle Okay.
Alan Parrish Come on! Stay together! Peter! You all right, Peter? Judy!
[a crocodile suddenly appears]
Sarah Whittle Alan.
Alan Parrish What?
Saran Whittle What is that?
Alan Parrish Ah! Swim! Go! Go!
Sarah Whittle Alan!
Alan Parrish Judy, swim fast! Move! Keep goin'! Get on the table! Peter, get out of the water! On the chandelier! Come on, Sarah.
Judy Shepherd Peter!
Alan Parrish Hang on, Sarah!
Judy Shepherd Are you okay?
Sarah Whittle Where is he? Alan!
Judy Shepherd Alan!
Aunt Nora Judy! Peter!
Carl Bentley Ma'am, step back and let me handle this, please. It's probably nothing. They probably left the TV on too loud.
Aunt Nora Peter! Judy!
Carl Bentley I always wanted to do this. Could you step back, please?
[kicks the door. The pressure from the water blows the doors off and they are surfing down the street on the doors as a crocodile swims next to them]
Alan Parrish Alan, give me your hand.
Judy Shepherd Alan!
Peter Shepherd Grab my hand!
Alan Parrish I got it! No!
Peter Shepherd Alan!
Alan Parrish Hey. Take the game. Here you go. You okay?
Sarah Whittle Yeah. Alan, you wrestled an alligator for me.
Alan Parrish It was a crocodile. Alligators don't have that little fringe on their hind leg. Come on.
Sarah Whittle My mistake.
Struggle Between Passion and Parental Expectations
Neil Perry I just talked to my father. He's making me quit the play at Henley Hall. Acting's everything to me. I- But he doesn't know! He- I can see his point; we're not a rich family, like Charlie's. We- But he's planning the rest of my life for me, and I- He's never asked me what I want!
John Keating Have you ever told your father what you just told me? About your passion for acting? You ever showed him that?
Neil Perry I can't.
John Keating Why not?
Neil Perry I can't talk to him this way.
John Keating Then you're acting for him, too. You're playing the part of the dutiful son. Now, I know this sounds impossible, but you have to talk to him. You have to show him who you are, what your heart is.
Neil Perry I know what he'll say. He'll tell me that acting's a whim and I should forget it. They're counting on me; he'll just tell me to put it out of my mind for my own good.
John Keating You are not an indentured servant. It's not a whim for you. You prove it to him by your conviction and your passion. You show that to him, and if he still doesn't believe you - well, by then, you'll be out of school and can do anything you want.
Neil Perry No. What about the play? The show's tomorrow night!
John Keating Then you have to talk to him before tomorrow night.
Neil Perry Isn't there an easier way?
John Keating No.
Neil Perry I'm trapped!
[laughs]
John Keating No you're not.
Reverend Frank's Unexpected Decision
Reverend Frank You didn't actually think I was going to let you watch that, did you?
[''to the audience'']
Questioning Evidence and Admission of Guilt
Walter Finch You have no evidence I killed Kay. You only know because I told you what I saw.
Childhood Fears and Humor in Parenting
Charlie The kids have never seen ], part 1 or ]!
[[Friday the 13th (1980 film)|Friday the 13th; [Friday the 13th Part 2|2]
Vicki Oh, my God!
Dan He's kidding. He's a kidder. He was scared of ]. He's kidding. The monkeys got him in the nuts.
[[The Wizard of Oz]
RV
Overflowing Sewage Tank Troubleshooter
Bob Munro Sewage tank is overflowing.
Deciding to Finish the Game Together
Judy Shepherd Listen, I know you're upset and all, but I kinda feel we should finish the game.
Alan Parrish We? Why do you need me?
Judy Shepherd Well, just in case any scary stuff comes out. Plus, there's a lion in my aunt's bedroom. What am I supposed to do about that?
Alan Parrish What do I look like, a Ringling Brother?
Judy Shepherd But she'll be home soon.
Alan Parrish Won't she be surprised. I hope she's not allergic to cats.
Paramedic Larry, we need the wheels. Gimme a hand.
Larry Did we hit her that hard?
Paramedic No, it looks like another one of those weird bites.
Larry It's another one.
Paramedic Geez, that's over 50. What the hell's goin on?
Larry Easy now.
Judy Shepherd Hey, look. Isn't that Mrs. Thomas?
Peter Shepherd Who's that?
Judy Shepherd The realtor.
Alan Parrish Quiet. Listen. You hear that?
Judy Shepherd Hear what?
Alan Parrish Get in the car. Okay, think. What came out of the game before me?
[they get into Mrs. Thomas’ car]
Judy Shepherd There was a lion, a bunch of monkeys--
Peter Shepherd That!
Alan Parrish It's okay. It's okay. It's just a bug. But we're safe in here. See? We're fine. As long as we stay low, he can't get through there too far. Don't worry. We're fine. Hey, he can't get us in here. He can't get through the glass. We're safe. Either one of you know how to drive? No? Well, that's no problem. Well, my dad used to let me back the car down the driveway once. So, what's the big deal?
[The bug pokes through the celling of the car before landing in the wind shield; The mosquito taps the glass of the wind shield causing it to crack]
Judy Shepherd Buckle up.
[to Peter]
Alan Parrish Here we go! Oh, wait a minute. What-- Wait.
Judy Shepherd Alan, the top!
Alan Parrish Piece of cake. Yeah.
[driving recklessly and hitting a garbage can and mailbox before pulling up to the mansion]
Judy Shepherd Alan.
Alan Parrish Keep that thing away from me!
Judy Shepherd When are you gonna help us play? We've gotta hurry. Our aunt's gonna be home soon.
Alan Parrish Well, good. You can inform her that she's the ex-owner of this house. I hope you realize, with my parents gone, this home belongs to me. Oh, thank you. No more banana leaves.
[going into the bathroom and closing the door]
Judy Shepherd What do you think those monkeys are gonna do to the ecosystem around here?
Alan Parrish Just sit right back and you'll hear a tale, A tale of a fateful trip...
[singing]
Judy Shepherd Hello!
[knocking the door]
Alan Parrish That started out on this tropic port aboard this tiny ship, The mate was a mighty sailor man, The skipper brave and sure, five passengers set sail that day for a three-hour tour...
[singing]
Judy Shepherd What happened to you. You shave with a piece of glass?
[sees he attempted to shave and has pieces of tissue covering the nicks]
Alan Parrish What happened to you? The Clampetts have a yard sale? What do you want? I've never shaved before.
Judy Shepherd Where are you going? How bout Peter and I play, and you just sort of watch?
Alan Parrish No, thanks. I've seen it.
[in the kitchen eating an apple over a bowl]
Judy Shepherd So if you're not gonna help us, what are you gonna do?
Alan Parrish I don't know. Pretty much take up where I left off. I wonder if Mrs. Nedermeyer's still teaching sixth grade.
Peter Shepherd Come on, Judy. He's not gonna help us. He's afraid.
Alan Parrish What did you say?
Peter Shepherd You're afraid. It's okay to be afraid. Let's go set it up in the living room.
Alan Parrish No, you have no idea what you're getting yourself into.
Peter Shepherd Whatever it is, we'll handle it by ourselves. We don't need your help.
Alan Parrish I don't think so. You think monkeys, mosquitoes and lions are bad? That's just the beginning. I've seen things you've only seen in your nightmares. Things you can't even imagine. Things you can't even see. There are things that'll hunt you in the night. Then something screams. Then you hear them eat. And you hope to God that you're not dessert. Afraid? You don't even know what afraid is. You will not last five minutes without me.
Peter Shepherd So are you gonna help us?
Alan Parrish I'll watch. But I'm not afraid.
Judy Shepherd Peter, that was very cool.
Peter Shepherd That's reverse psychology. Dad used to pull it on me all the time.
Self-Reflection of Popeye the Sailor
Popeye Oh, what am I? Some kind of barnicle on the dinghy of life? Oh, I ain't no doctors, but I knows when I'm losing me patiensk. What am I? Some kind of judge or lawyers? Maybe not, but I knows what law suitks me. Careful there, don't ruffle me feathers. What am I? I ain't no physcikisk, but I knows what matters. What am I? I'm Popeye the Sailor.
[to the prostitute]
A Child's Search for Parents
Alan Parrish Find my parents!